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PlayStation 3 Sales Reach 70 Million

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Sony Computer Entertainment Inc. (SCE) has announced that the cumulative sales of the PlayStation 3 (PS3) computer entertainment system reached a milestone of 70 million units worldwide as of November 4, 2012 – less than six years after the platform launched in 2006. SCE also announced that sales of the PlayStation Move motion controller surpassed 15 million units worldwide as of November 11, demonstrating continued growth and momentum of the PS3 platform.

The PS3 system has delivered high quality, award-winning entertainment experiences since its launch. Throughout its lifecycle, the PS3 system has continued to evolve with more streamlined design, larger Hard Disk Drive (HDD) capacity, and new features through software updates. In September 2012, SCE launched the new PS3 system, which has a reduced volume and weight of more than 50 percent compared to the original PS3 model, and of 25 percent and 20 percent respectively compared to the slim PS3 model launched in 2009.  The new PS3 has been well received by consumers around the world.

Along with the introduction of PS3 in November 2006, SCE launched PlayStation Network, which now operates in 59 countries and regions around the world.  PlayStation Network supports free community-centric online gameplay, exclusive games from independent developers and major publishers, and a broad range of entertainment applications across movies, music, and sports. PS3 owners can access 170,000 downloadable digital content including 57,000 game content worldwide from PlayStation Network.  In October 2012, SCE redesigned PlayStation Store for PS3, offering a more streamlined and accessible store experience, including a stunning new user interface, simple search, and powerful content discovery. The new store is now available in Europe and North and Latin America with more countries and regions to follow.

PlayStation Plus, the subscription service package on PlayStation®Store that offers exclusive benefits such as discounts on games or online storage for game saves, started to offer an “Instant Game Collection” in North America and Europe in July 2012. The Instant Game Collection enables PS Plus members to enjoy popular titles from third party developers and publishers as well as SCE Worldwide Studios at no extra cost.  SCE has also enhanced the content offering for PS Plus members in Japan in November.

Introduced in September 2010, the PlayStation Move motion controller that enables users to intuitively play games is now supported by a wide range of titles with more than 400 as of November 2012, including Sports Champions 2,Unfinished Swan (Sony Computer Entertainment). Additionally, this month marks the global launch of Wonderbook, a new peripheral that delivers the next evolution of storytelling and a unique experience exclusively on PS3. Wonderbook uses the PlayStation Eye camera to take augmented reality to spectacular new places, while drawing players into new worlds and allowing them to interact with stories as they tilt or rotate it, or simply turn the pages.

PS3 has gained tremendous support from 3rd party developers and publishers worldwide. Cumulative number of software titles for PS3 reached 3,590 with more than 595 million units sold worldwide. More exciting and attractive new titles are to be released from third party developers and publishers as well as SCE Worldwide Studios, includingAssassin’s Creed III (Ubisoft Entertainment.), FIFA 13 (Electronic Arts Inc.), PlayStation All-Stars Battle Royale (Sony Computer Entertainment) towards the holiday season. In addition, software titles that support ‘cross platform feature’ such as LittleBigPlanet 2: Cross Controller Pack, Sly Cooper: Thieves in Time (Sony Computer Entertainment) are also expected to be released.  With these titles, SCE will deliver a ground-breaking gaming experience by leveraging the capabilities of both PS3 and PlayStation Vita.

SCE will continue to further expand the PS3 platform and create a world of computer entertainment that is only possible on PlayStation.

Olly Murs featuring Flo Rida – Troublemaker single review

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Olly Murs has charmed his way into our hearts since appearing on The X Factor in 2009. Despite coming second to Joe McElderry, the cheeky chappy has enjoyed massive success releasing two double-platinum albums and scoring three number one singles. Now Olly is on the verge of releasing his third album Right Place Right Time and is releasing his new single Troublemaker as a taster.

Troublemaker is causing us a couple of problems. Firstly the inclusion of Flo Rida couldn’t have been more misjudged. Olly and Flo Rida? Seriously. Definitely not a pairing we would have put together. Secondly Troublemakersounds so much like Maroon 5’s hit Misery that we had to check the writing credits to see if Adam Levine and co were credited. It seems they’re not so the soundalike must have been unintentional. All that having being said the song is really catchy and it suits Olly to a tee but we just can’t help singing the lyrics to Misery over the music.

We find this release really frustrating as Olly really found his sound with his last album. It’s not that it’s a bad song, it just sounds so much like Maroon 5 that it’s near impossible to hear this as a song in its own right. We love Olly and the sampler we’ve heard of the album sounds great. We just wish he’d been left to develop his own sound rather than piggy-backing on someone elses.

Cheryl Cole – My Story review

In the last 10 years Cheryl Cole has become one of the most-loved and best-known popstars in the UK. After finding success with Girls Aloud after winning her place in the group on reality show Popstars: The Rivals Cheryl has had a rollercoaster ride of highs and lows in both her professional and private life. After a particularly hectic and headline-grabbing few years, Cheryl has decided it’s time to set the record straight and get her version of events heard. My Story is Cheryl’s autobiography and has been released just in time for the Christmas market.

My Story finds Cheryl speaking candidly about her life and career to date. Previously she’s been ferociously private about her personal life but through this book she’s decided to open up and let people see what’s really happened in her life. Once Girls Aloud decided to take a break in 2009, Cheryl saw her celebrity rise as she entered her second year on The X Factor just as her marriage to footballer Ashley Cole finally broke down for good. During this time the media speculation was intense as Cheryl couldn’t escape the paparazzi wherever she went. Over the course of the book she goes into this time in detail talking about how she felt miserable, trapped and constantly monitored.

Over the course of the book Cheryl talks about her almost fatal battle with malaria, her ups-and-downs with ex-husband Ashley Cole as he was endlessly accused of cheating on her, and of course her music. We learn about Cheryl’s upbringing on a council estate in Newcastle where she seemed to attract one troubled boyfriend after another. She talks about her love of dancing and music sharing her experiences as a youngster before she applied for Popstars: The Rivals.

Once the book moves onto Popstars: The Rivals you start to learn more about what that experience was like for her and how she gelled with the other members of the group. She also explains what really happened the infamous night she was arrested for punching a toilet attendant. Many will be trawling through the book to find evidence of Cheryl not getting on with band-mate Nadine Coyle but there’s nothing like that here. She is surprisingly honest about not being as close with Nadine and Sarah Harding as she is Kimberley Walsh and Nicola Roberts but there’s nothing scandalous. She expresses disappointment over some of Nadine’s decisions but that’s as far as any band rifts go.

For many readers the real meat of the book comes post-Girls Aloud as Cheryl explores her potential as a solo artist whilst dealing with the breakdown of her marriage. It’s engrossing to read about the battle with confidence she had whilst recording her solo material, particularly against the backdrop of her marriage troubles. Credit to Cheryl that she doesn’t rant and rave about the way Ashley treated her instead opting to recall the events very factually.

She seems to have a love/hate feeling towards The X Factor feeling grateful for everything it’s done for her but explaining how exhausting the backstage politics became. She speaks openly about her frustrations, but also admiration, with Simon Cowell. The X Factor USA debacle is talked about with Cheryl expressing both disappointment and relief for how the drama unfolded. The suggestion that Nicole Scherzinger pitched for her job and got it reinforces rumours at the time, something Nicole herself has denied.

Other points of interest include Cheryl’s recollections of climbing Mount Kilimanjaro with band-mate Kimberley Walsh and a host of celebrities for Comic Relief and her friendship with Dancing With The Stars’ Derek Hough. Of the former she admits she didn’t really understand what she was letting herself in for whilst of the latter she doesn’t reveal all that much aside from how fond of Hough she is.

Cheryl Cole – My Story is a book that’s more candid than we expected and it’s a really good read. There’s a reason that Cheryl has become the nation’s sweetheart and the warmth we feel from her on TV is present here. People seem to forget that underneath it all Cheryl is a person just like the rest of us and this book serves as a reminder that celebrity does not solve all of your problems. My Story is a great gift for the festive season and is a must-read for any fan of Cheryl’s.

A Winter’s Tale review

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Adapted from Shakespeare’s The Winter’s Tale, A Winter’s Tale follows the broad brushstrokes of the plot in a modern language musical. Written by Howard Goodall (a phenomenally busy composer of TV and film scores as well as his own classical compositions) and directed by Andrew Keates, it fills the stage of the Landor Theatre with a sumptuous and emotionally-charged show.

King Leontes tries to persuade his dear friend and neighbouring monarch Polixines to extend his nine-month stay by another week. Polixines refuses, but then bows to pressure when Leontes’ wife Ekatarina asks him. Leontes instantly becomes jealous, suspecting his wife and friend of having an affair. Leontes’ jealousy consumes him, with disastrous consequences that require the passage of time and the next generation to attempt to restore harmony between the two kingdoms.

Shakespeare’s “problem play” turns out to be ripe subject matter for musical treatment. The breadth of emotion and the complete tonal shift between the first and second acts offers plenty of scope of variations in melody and pace, and Goodall takes full advantage. Where the location shifts from the royal court to the countryside, Goodall’s musical suite evolves from an operatic flavour to rustic melodies that include a highly enjoyable jig about the wonders of sheep. Piano, played by George Dyer, and cello by Stefan Knapik prove, as always, a perfect marriage. They unite to form the core instrumentation. Standouts songs include the electrifying The Trial Of Queen Ekatarina, in which the ensemble take part in a frantic courtroom drama, and the spine-tingling All You Need To Know that rounds out the action with a cracking showstopper. As well as crafting decent melodies, Goodall creates songs that resonate, drawing the audience into the world of the story and keeping them there.

A Winter’s Tale is an impressively conceived piece. Goodall gets to grips with the story straight away and ably conveys mood through music. With a fairly sizable cast, he establishes characters quickly. Perhaps most fundamentally of all, the melodies are excellent and the songs memorable, building to exhilarating climaxes through a powerful ensemble.

The performances are universally excellent. Pete Gallagher has the toughest task, since Leontes veers between loving husband and mad paranoid tyrant whilst covering a lot of ground in between, and he’s entirely credible throughout, using his great height to advantage and cutting an imposing presence on stage. Alastair Brookshaw is also excellent as the more sympathetic Polixines, but he peppers his performance with enough spikiness to warn the audience that there’s a dormant tyrant inside him too who could easily be coaxed out. Helen Power completes the triumvirate of royalty as Leontes’ unfortunate wife Ekatarina, who calls for and receives the lion’s share of the audience’s sympathy.

Once the story shifts, the ensemble of the first act are given their moments to shine. Gareth James Healey and Cieran Joyce form an enjoyable comedy double act of innocence and roguery as Zeki and Rob. Fra Fee and Abigail Matthews combine beautifully to form the gorgeous young couple whose mismatched romancing forms the crux of the second half. Their duet When You Sing is adorable. What sweet music they make! Denis Delahunt (who was also terrifically funny in The Mystery Of Edwin Drood at the Landor Theatre) is on fine form again as the shepherd Melik, winning most of the laughs with a warm performance of impeccable comic timing. Watch out for his wonderful line that covers Shakespeare’s strangest stage direction…

The tonal shift after the interval allows for the comedy to be brought to the fore. Following a tense first act about intrigue and paranoia, it took the audience a little time to warm up to the complete change in atmosphere, but the ingenious visual comedy of Polixines and his servant Camillo infiltrating the shepherds’ sheep festival with cunning use of undercover disguises brought the house down, and underlined the singular shift in tenor.

The story is a fairytale, and best viewed as one, since it’s easy to pick holes in the somewhat implausible resolution. It works because you care for the characters – and this elevates A Winter’s Tale to a fable about redemption and the potency of forgiveness. Nevertheless, it’s easy to buy into the fairytale nature of the story thanks to the costumes and design. The staging is effective in conveying the shift between the acts too, metamorphosing between the palatial and the pastoral, with both settings easy on the eye sharing bronze autumnal hues. The costumes pluck the most striking fashions from different eras, where Polixenes’ crow feathers are a further nod to the operatic.

A Winter’s Tale is a beautiful production, bursting with great songs and pitch perfect performances. The close proximity of the audience to the stage allows it to make an impact from the start. Aided by memorable songs and note-perfect live musicians, it’s a show that boasts considerable talent in every department.

Terracino interview

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Terracino is a native of New York and was born in Queens. The writer, director and producer made his feature film debut this year with Elliot Loves.

Elliot Loves has just been released on DVD here in the UK so we thought we’d have a quick chat with Terracino to find out more about it.

In our interview he talks about the making of the film, his memories from the set and his latest projects.

How are you today? What were you doing before this Q&A?

Cardio at the gym. I’ve gained 13 lbs on the festival circuit!

Your film Elliot Loves is out on DVD in the UK. Tell us what it’s all about.

A comedy-drama about a Latino American at two stages of his life: as a nine-year-old who is best friend and sidekick to his young, overwhelmed single mother; and as a 21-year-old looking for love in New York City.

Elliot can generally be described as a “coming-of-age” film. But I think with its animation and visual effects, and given the fact that it tackles issues of race and sexuality, Elliot is a pretty ambitious coming-of-age film. (If I do say so myself!)

Where did the inspiration for the story come from?

After my short film, My Polish Waiter, played festivals like Sundance and New Directors/New Films, I got a big agent and was working in Hollywood. I was confronted by an incredible amount of racism and homophobia out there. It really took me aback. The experience led me to feel strongly that I should get my own story out there and tell it on my own terms, in my own unique and unusual way. Thus Elliot was born.

Eliot Loves

The split narrative is a really interesting way to tell the story. Why did you decide to use it?

I didn’t want to utilize the cliché of flashbacks. I wanted to show what it is like to be 21 years old, enjoying life in the big city, yet utterly breaking down, falling apart inside, and not knowing it. I wanted the audience to know who Elliot was as a kid and who he is at 21 — and then have those worlds collide.  Though Elliot is essentially a comedy, I was influenced by The Double Life of Veronique, a film I adore.

Tell us about the casting process. How easy was it to find the right actors for this project?

It took forever to cast the lead of 21 year old Elliot (Fabio Costaprado). I saw Fabio in a silent short and I remember shouting, “That’s him! That’s exactly what I want!”

Aside from Fabio, much of the casting was done by Kerry Barden and Paul Schnee (The Help, Boys Don’t Cry). In contrast to the difficulties in finding the right adult Elliot, Quentin Davis Araujo walked in on the first day of casting for nine year old Elliot and he just nailed it! He was perfect from the jump.

Elena Good was the first actor cast in the film – back in 2006! She stuck by us through three years of setbacks – money falling through, production companies who had our rights abruptly shutting down. It was a looong process to get Elliot going and Elena was on board for most of it.

Eliot Loves

What’s your favourite memory from the shoot?

The very first day! Shooting all the bathroom scenes with young Quentin: Elliot on the toilet and in the tub narrating his life. We had a ball!

This was your feature film debut as both a writer and director. What is the biggest lesson you learned?

Be wary of cast members dating during production. Lol. You have to listen to the DVD audio commentary for more about that…

What do you hope that people take away from Elliot Loves?

The importance of forgiveness, of letting go and moving on.

What do you have coming up next?

I am working on a TV pilot and I have a new film script I am polishing right now.

What will you be doing for the festive season this year?

Some cast members and I are throwing a great big New Year’s Eve party to celebrate our great year!

Elliot Loves is available on DVD now through TLA Releasing.

Neville Southall – The Binman Chronicles review

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The Binman Chronicles are the entertaining memoirs of one of the greatest and most iconic of British sporting legends. After a remarkable twenty five-year football career, Neville Southall is best-remembered as the Everton and Welsh international goalkeeper of the 80s to mid-90s, who was the most decorated Everton player of all-time and in his pomp regularly hailed as the greatest goalkeeper in the world. The scruffy and moustachioed talisman, nicknamed ‘Big Nev’ by the Goodison faithful, was an unmistakable presence and a consummate professional on the pitch, as well as an endearing and at times infuriating eccentric. The Binman Chronicles is Southall’s personal account of his full playing career, containing a brief coda about his contemporary life in retirement from professional football.

The title of the book comes from one of Southall’s early jobs prior to turning pro in the world of football. For only a few months he was a council binman; but the media later found it a useful shorthand for writing about him, and so it’s one of those anecdotes that everyone knows about Neville Southall. (He puts to bed other myths too, such as the one in which he always turned up to training sessions on his bicycle – apparently not true.) He wittily recounts all his pre-pro jobs, and seems to have been rubbish at most of them!

Southall does his best to describe his childhood in the Welsh seaside town of Llandudno, and paints a fair picture of the naive young boy yet to embark on an extraordinary career. He repeatedly makes the point that his only interest in life – to the exclusion of almost everything else – was playing football, and from the start he’s driven to make the best of his abilities. There’s no sense of arrogance in Southall though: he also often states that it took him many years to even conceive that he might make money from playing the sport he loved, even whilst developing his talents with local amateur clubs.

After signing to Everton from Bury, Southall became a key figure in the Merseyside club’s most successful team in its history (perhaps I should optimistically add ‘to date’) thanks to his acrobatics between the goalposts. At the peak of his career, keeping goal for a domestically dominant Everton side, and winning many caps for his country, Southall was considered the best goalkeeper in the world, which in his words was “praise which I often struggled to deal with”. Not that he ever let it affect his game: he was magnificent, and remains universally hailed as one of the all-time goalkeeping greats.

Southall’s descriptions of the many Goodison legends he played with over one and a half decades will delight Evertonians. He has a wonderful description of Howard Kendall (who, despite not always being portrayed in the best light in the book, provides an affectionate foreword – perhaps he hadn’t read the full transcript?) looking at him “as if I’d landed from another planet” when he informs his new manager he’s tee-total. It relates in a few words the ethos of the game a generation ago, and is an insight, without saying too much, into Everton’s most successful manager. Fellow Wales-international Kevin Ratcliffe (Rats) is the player he speaks most fondly of, especially in terms of an off-pitch friendship, but for the most part the others are assessed in terms of the qualities they brought to the team.

Interspersed with his accounts of each season with Everton – what went wrong, what went right, and how incoming personalities impacted the dressing room – is Southall’s account of his international career with Wales, including two failed bids to become manager. Times have probably changed, but Southall’s narrative leaves his reader in no doubt about the shambolic and amateurish nature of international football for a small country during his time. Let’s just say his reminiscences induce incredulity.

As well as his skill on the field, Southall has one of those personas that attract interest. He’s a great British eccentric. At times aloof and moody, he became notorious for instances such as refusing to collect his runners-up medal for the Zenith Data Cup, and his apparent half-time goalmouth sit-inprotest in the opening game of the 90/91 season against Leeds United (which he brushes off as being to “clear his head”). Often plastered in Vaseline with his socks round his ankles, Southall was a natural scruff who started each game looking like he’d just finished the last; but he gives his reasons for all of these idiosyncrasies and much more in The Binman Chronicles.

Whilst part of the appeal of memoirs is always reading about the people the subject despised, there’s nothing malicious in Southall’s memoirs, and he maintains that there wasn’t anyone he worked with whom he hated. Disappointment over lack of animosity is made up for with Southall’s characteristic outspokenness. Whilst he wishes him no ill, Mike Walker is “clueless” and his management “a complete shambles”. Any Evertonian would agree. What is arguably more surprising is the undercurrent of animosity that he felt from Joe Royle, himself an Everton legend, during his reign as manager in the mid-90s, and those passages leave it up to the reader to study between the lines. They both love dogs: perhaps they should bond over this?

Considering the pampered, manicured multi-millionaire players of today, Southall is the complete opposite. His language is earthy and refreshing, his reflections insightful, and there’s probably nobody better to shine a light onto how the beautiful game has changed (for the worse, in my view) in the last thirty years. Southall makes the point himself: it’s near-impossible for today’s stars to relate to the hard-working fans who pay good sums of money to support them, especially when they are surrounded by security and earn more in a week than most fans will in two years. How many players now would stay loyal to a club the way Southall committed himself to Everton? As he later reflects, he would have increased his value by moving around.

It’s easy to relate to Neville Southall. He constantly takes the proverbial out of himself and out of almost everyone he writes for (there are a few, such as Liverpool’s Kenny Dalglish, who earn his absolute respect), and his unremitting honesty and matter-of-fact prose makes for an easy and compulsive read. It’s full of insights too. The Binman Chronicles is a million miles from the average self-obsessed celebrity cash in. Southall offers valid and thoughtful observations on the Heysel disaster, arguing that UEFA should never have imposed a ban on English clubs in Europe; and speaks movingly about the Hillsborough disaster and about the people he’d worked with who have died, including Gary Ablett and Gary Speed. Southall is a thinker, and not afraid to speak his mind. It’s a great combination for autobiography.

The writer’s bluntness is often humorous too. That’s to be expected, since the personality of Southall shines through his prose, giving a well-rounded insight into a complex human being who happens to be a sporting legend. Southall has a way with words. The Binman Chronicles is his second book, following the release of his Everton Blues diaries in 1997.

The Binman Chronicles brings the reader up to date with Southall’s current job as a teacher of NEETS (not in education, employment or training), whom he describes as “the most marginalised and disengaged youths in Britain”. It’s challenging work that clearly suits a lateral thinker like Southall. If anything, I would have loved to have read more about it. Perhaps he’s saving those stories for volume two?

Paper Mario brings pop-up diner to Spitalfields

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Nintendo has announced that Paper Mario: Sticker Star is being brought to life this November, with the arrival of a special Paper Mario style pop-up diner in Spitalfields.

Paper Mario:Sticker Star is the first Paper Mario game to be launched in five years and is the first edition of the game to be made available on the Nintendo 3DS.

To mark the occasion, the distinctive world of Paper Mario, from corrugated cardboard landscapes to hologram stickers, will pop up in glorious 3D, with the help of the artist and designer Camille Walala. Her imaginative and quirky interior design will transform the ever-popular Breakfast Club café and bar in Spitalfields into a one-off diner experience based on the world of Paper Mario:Sticker Star.

From floor to ceiling, including walls, tables and chairs, placemats and staff uniforms, the diner will bring to life the game, including key characters, objects, stickers and other aspects of the Sticker Star world.

The diner will be open to the public and operate as usual, but with diners experiencing the special ‘paperised’ Mariotake-over on Tuesday 20th and Wednesday 21st November.

Steps – The Ultimate Tour Live DVD review

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It’s safe to say that Steps have had a pretty successful 2012. Off the back of their number one 2011 album Ultimate Collection the five-piece pop group managed to almost sell-out a rather expansive arena tour, conquer the ratings in their second Sky Living documentary series and record brand new album Light Up The World. Time will tell if the group has more than the nostalgia factor but the signs are looking good. In time for Christmas, Steps have releasedThe Ultimate Tour Live which captures their performance from The O2 earlier this year.

We were lucky enough to see the The Ultimate Tour live but we left The O2 Arena feeling a little disappointed. The sound mix was all over the place, we weren’t always convinced the group was singing live and we thought the set was a little underwhelming. Interestingly it all seems to work better on this DVD release. The massive video screen backdrop is more striking when seen face on (rather than from the side like our view) and whilst there isn’t much of a set to speak of, the stage doesn’t look quite as vast and empty as it did when you were there.

The vocals however are still debatable. Whilst it’s clear there are times when the group is singing live, there are times when they obviously aren’t e.g. Better Best Forgotten where Claire’s microphone is nowhere near her mouth yet she sounds crystal clear. Hmmm. The show opens with Here & Now as the band arrive on the stage in glass pods before moving onto the electro-pop of You’ll Be Sorry.

The setlist comprises of all the hits you’d want to hear from the band including Deeper Shade Of Blue, Last Thing On My Mind, Summer Of Love, Stomp and Tragedy. All of the performances are slickly choreographed and the group genuinely look happy to be back together and performing for the packed out arena. In the middle of the show there’s the obligatory solo section which has varying degrees of success. Claire is the stand out with her powerful rendition of I Surrender whilst Lisa opts for a medley including her own solo hit Lately.

There’s no denying that The Ultimate Tour is a pop-fest worthy of any pop fan but the whole thing lacks a bit of spit and polish that the group would have had in their hey day. When they sang live they actually, for the most part, sound really great. Claire and Faye carry the majority of the vocals and there are some bum notes from the rest of the group and flat harmonies. Overall though it’s a good effort from the most under-rated pop group of the 90s and we hope they manage to build on their successful year and really wow us in 2013. Steps have always been our guilty pleasure and it’s good to have them back.

Limited edition 3DS XL consoles

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Get ready for a white (or yellow) Christmas as Nintendo brings a new limited edition Nintendo 3DS XL White and a limited edition Nintendo 3DS XL Pikachu Yellow console as the ultimate Christmas gifts this festive season.

For any Mario lover, the two Nintendo 3DS XL White consoles will be at the top of your Christmas wishlist. Whether you prefer traditional platforming action or fast-paced, arcade-style racing, the choice is yours, as you can pick from either having Mario Kart 7 or Super Mario 3D Land pre-installed on your system.

The limited edition Nintendo 3DS XL White pre-installed with Mario Kart 7 is available in stores from 16th November onwards while the limited edition Nintendo 3DS XL White pre-installed with Super Mario 3D Land becomes available in stores from 30th November onwards.

The colourful offerings don’t stop there as from 7th December onwards Pokémon fans can also get their hands on a special limited edition Nintendo 3DS XL in yellow which features an image of Pikachu on the system.

Pokemon 3DS

Mario Kart 3DS

All three consoles will only be available in limited quantities, so if you’re a Mario or Pokemon fan, make sure you don’t miss out!

Fern Britton leaves Strictly Come Dancing

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Fern Britton became the fifth celebrity to leave Strictly Come Dancing tonight after losing the dance-off.

Last night Fern was praised for her Salsa with the judges commenting that it was her best dance to date. Unfortunately for Fern she ended up at the bottom of the leaderboard and found herself in the bottom two.

The night’s biggest shock is that Fern and Artem were joined in the bottom two by Kimberley Walsh and her partner Pasha Kovalev. Despite ending joint second after last night’s live show, Kimberley unfairly found herself in the bottom two having to dance again to secure her place in the competition.

Both couples had to dance again to secure the backing of the judges. What did the judges have to day?

Craig said it was a ‘no-brainer’ and saved Kimberley and Pasha. Darcey said Kimberley and Pasha gave the cleanest performance and saved them. Bruno said ‘one couple was outstanding’ and saved Kimberley and Pasha.

Tonight’s results show opened with Flavia and Vincent performing routines from their hit show Midnight Tango. The musical guest for the evening was Andre Rieu.

Next week the remaining 9 couples will dance at Wembley Arena for a special Children In Need show. After the shock of tonight’s results show it’s clear that no one is safe so if you have a favourite you really need to pick up the phone and vote for them.