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This is What Love in Action Looks Like DVD review

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This Is What Love In Action Looks Like is an extraordinary documentary film about a teenager who became caught up in the Christian program Love In Action – an “ex-gay” camp in the US which claims to convert gay people into heterosexuals in exchange for dollars. It operates under the premise that homosexuality is an “addiction” that can be “cured” by conditioning homosexuals to equate their same-sex attraction with shame and humiliation. Operating since the 1970s, this financially lucrative enterprise opened a summer camp called ‘Refuge’ designedly for teenagers. Not all the teens who crossed their threshold were willing participants…

When sixteen year-old Memphis-resident Zach Stark came out in 2005, his devout Christian parents didn’t take the news well. Under the belief that there was something wrong with their son that needed to be fixed, Zach’s bags were promptly packed and he was sent to Love In Action for eight weeks to be “straightened out”. Lonely, confused and depressed, Zach posted his thoughts on his MySpace blog in the days leading up to his internment, little realising that his lost voice would ignite a firestorm of protest that garnered national press interest and fuelled the debate on the rights of children versus the rights of their parents. This Is What Love In Action Looks Like documents Zach’s story and the media frenzy surrounding it, with contributions from other Love In Action survivors.

There are a few topics explored in This Is What Love In Action Looks Like. Primarily, it’s an exposé on the religiously-inspired practice of “reparative therapy”, a dangerous fraud perpetrated by the religious right upon the credulous. “Pray away the gay” is their agenda put most concisely. The documentary also comments on the power of social media and the speed with which things can “go viral”. Finally, it’s also about the power of peaceful and intelligent protest in bringing about wholesale societal change.

Whilst Zach is incarcerated, his teenage friends organize a protest.  Hearing about it, documentary filmmaker Morgan Jon Fox went along with his cameras. When word spreads, the protestors garner huge support until there are daily vigils outside Love In Action’s Memphis headquarters, with supporters shouting words of encouragement to Zach and to the other teenagers held against their wills behind the institution’s walls. From there it’s only a matter of time before the national press takes an interest, and director Morgan Jon Fox does a great job of allowing the stories behind each of the threads to evolve with a natural sense of forward progression.

This Is What Love In Action Looks Like is a beautifully assembled film. It uses interviews, voiceovers and real footage of the events to build a coherent visual story of the protests for one young man. The testimonies from survivors are in themselves often moving, but overlaid music is well-chosen as an instant mood-setter. In story terms, though, This Is What Love In Action Looks Like is very strong, as it keeps you gripped throughout, drip-feeding you the events. At times your jaw will drop open, or you will be riled into anger, but there are equally affecting moments of jubilation and relief.

Whilst the issue of the film is the immorality of forcing children to be subjected to emotional abuse, the testament from the (willing at the time of “therapy”) adult survivors such as Peterson Toscano, also offers unique insights into this strange world. The inmates (likening it to a prison sentence is the closest allusion) have their personal possessions rifled through, and anything on the gay list – a musical CD for example – is compounded for their own good. Inside Love In Action, they are monitored 24/7 to ensure there’s no exposure to gayness, and even their physical behaviour is policed (crossing legs is strictly prohibited). Whilst inside, they have no access to the outside world. It’s credit to the survivors that they’re able to talk about such invasive and draconian policies with a healthy dose of ironic humour.

Given that the religious are becoming ever more extreme and that “reparative therapy” is reaching other shores, including the UK (former Archbishop of Canterbury George Carey and Catholic former-Tory MP Ann Widdecombe have both recently spoken out in favour of the “therapy” in national right-wing newspapers) the truth about this fraudulent and abusive practice needs to be heard more urgently than ever before. As such, This Is What Love In Action Looks Like deserves as wide an audience as possible. Only when people are armed with knowledge are they empowered to act, and this film achieves precisely that, laying out the facts surrounding the organisations that can’t deliver on their promise, but tell vulnerable parents what they want to hear. You need no qualifications to practice this “therapy”, only gullible people will money to spare.

Tellingly, nobody from the religious right, the people responsible for the “ex-gay” industry and the dissemination of lies that powers it, agreed to be interviewed for the film. Since it’s remarkably temperate and relies on concise presentation of facts to make its case, the religious are represented mainly by pre-recorded inserts borrowed from other sources such as television interviews. Nor is there any footage of what actually goes on behind the closed doors of these institutions, though the “ex-gay” survivors offer vivid insights. Despite that, This Is What Love In Action Looks Like is anything but an angry film, and it’s never at any time critical of religion or religious belief. It’s tightly focussed on the dangerous ideology that human sexuality can be changed, and lays out the facts for people of any faith and none, exposing a financially-motivated fraudulent industry that preys on vulnerable people.

Even though it’s an objective documentary, the emotive subject matter will arouse deep feelings in viewers, not least through the extraordinary journey of John Smid, the director of Love In Action up until 2008 and the man in charge during Zach’s stay. You suspect throughout the movie that his willingness to be interviewed and to offer up full and honest answers must be motivated through some sense of remorse for his part in the “ex-gay” industry, but the full story that emerges is truly astounding and has to be seen to be believed. It’s a direct testament to the ability of the protestors to open minds to peaceful and reasoned persuasion, and it’s through Smid that the various strands of the documentary unite in a highly satisfying conclusion.

Sadly, despite the positive outcome of the movie and the empirical proof that the practice is fraudulent, and that it’s not possible to change someone’s sexuality, no amount of proof will be enough for religious fundamentalists. This film will act as an eye-opener to moderate religionists who will be empowered to challenge the more reactionary branches of their denominations, and it will also clarify the issue in the minds of those already equipped to challenge it. This Is What Love In Action Looks Like is punchy and powerful, and draws you in with a beautifully told human story.

Denial review

Currently playing at The King’s Head Theatre in Islington is Arnold Wesker’s Denial, a powerful one-act play exposing the dangers of therapy and the idea of repressed memories.

When Jenny Young’s marriage disintegrates her life takes a downward spiral into misery and anger. Therapist Valerie Morgan offers easy answers to explain her pain, one of which is that she’s in denial, repressing memories of sexual abuse that occurred when she was young. The possibility consumes Jenny until she accuses both her father Matthew and her now-deceased grandfather of repeatedly assaulting her throughout childhood, throwing suspicion on everyone and tearing her family apart.

Wesker’s play is fifteen years old, but it proves remarkably prescient and remains hugely topical, when the dangerously unregulated psychotherapy industry, where any old charlatan can carve out a lucrative career, is once again in the spotlight. This week’s failed appeal of a counsellor suspended after her client reported malpractice in a case of “reparative therapy” has made markedly different headlines in media outlets on both sides of the political spectrum: with very little focus on the fact that she was suspended for inappropriate behaviour and not for inappropriate therapy. Given the contemporary problem of bad therapists’ easy exploitation of vulnerable people,Denial’s London debut is long overdue, and is a welcome addition to the theatre’s retrospective of Wesker’s work to mark his 80th birthday.

Having said that, there are no certainties in Denial, and it remains ambiguous to the end, leaving the audience to decide which characters command truth and innocence. It’s is a cleverly written and emotionally engaging piece of theatre, and this production boasts an excellent ensemble cast and two standout performances. Clare Cameron (whom we last saw in EF’s top-rated production of 2011, Love, Question Mark) delivers another astonishing performance of raw emotion as the disturbed Jenny Young. Her intense portrayal bears out over the course of the play the terrifying reality of somebody convinced they’re right. Where she violently loses control she shocks the audience into silence through heart-wrenching displays of naked anguish. Cameron gives a brave and acutely-considered performance that it’s impossible to look away from.

Nicholas Gecks’ Matthew, in many ways Jenny’s polar opposite, is also phenomenally good. Often visibly watery-eyed and shaking, his quiet and dignified pain through a trial of vilification proves the calm centre of the play. The final showdown between Cameron and Gecks is consequently a hugely rewarding and profoundly moving payoff.

Denial
Nicholas Gecks. Photo by Christopher Tribble.

The other actors contribute to the power of the production. Stephanie Beattie as Jenny’s mother is highly emotive, finding tears readily; but she perfectly balances this with strength and resolve. It’s a shame more is not made of Jenny’s sensible sister Abigail, as Shelley Lang is enjoyably gutsy as a young lawyer who tries to use her skills of intelligence, reason and interrogation to break through to the tempestuous Jenny. The comic relief is provided by Sally Plumb’s therapist Valerie Morgan; though whilst she impresses with deft comic timing there is perhaps more she could make of her character’s journey from being Jenny’s saviour to possibly being the cause of a family’s distress once she starts to lose the audience’s sympathy. Veteran John Bromley adds another contrast with an older voice, but somebody from without who knows the family intimately, and he adds great weight and authority.

There are very few things to negatively criticise about Denial, though on a purely practical level a distractingly squeaky stage floor is one. There’s also Wesker’s use of the character of Sandy Cornwall (a fine study in restrained professionalism by Maggie Daniels), who comes across more as a plot device to help gel together the themes of the story than a person in her own right that we care about, and what she’s actually trying to achieve is slightly confusing and fairly irrelevant. These are ultimately minor complaints about a spellbinding slice of theatre that delivers plenty of moments of sublime drama.

The play doesn’t deny that child abuse is an all-too-real societal problem, though it’s undoubtedly disquieting for the audience when they are forced to reconsider where their sympathies lie. Denial hinges upon whether or not Jenny’s repressed memories are true, and this enables Wesker to maintain high stakes for the duration. Wesker reuses themes that are familiar in his best-known works: vulnerable people are manipulated and possibly even brainwashed by amoral authority figures, and the truth is difficult to establish.

Denial is told with postmodern techniques that reinforce its modernity. Characters remain on stage or nearby when they aren’t meant to be physically present, which utilises Nicholas Gecks to the greatest effect as he loiters in the dark with his back turned just beyond the auditorium whilst his character is torn to shreds by his daughter centre stage. Like a movie, scenes are interrupted and overlaid by other scenes, and a television screen is occasionally ingeniously used. The cumulative effect is a fast-moving and visual piece. Director Adam Spreadbury-Maher keeps a solid grip on the story, and as soon as each character is established (it’s a surprisingly busy stage with seven actors involved in the action) the clarity of the drama keeps you spellbound. Denial works perfectly in the intimate space of The King’s Head Theatre, and the audience’s closeness to the actors vastly heightens the impact of the drama.

It’s not always comfortable viewing, but Denial is thoroughly absorbing drama played with energy and passion, and it provides the audience with a potent vicarious experience. With characters and themes that resonate strongly, Denial proves a pounding and intense experience from start to finish.

Y Tu Mama Tambien

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Have you ever been on a road trip with your closest friend? Did you feel like you would be inseparable? Did you think running around town with your friend was the greatest time ever in your life? Laughing and joking – you were immortal in the grand scheme of life. Y Tu Mama Tambien is the the film for you.

Released in 2001, this Mexican comedy drama didn’t exactly set the worldwide box office alight. It did very well in its native Mexico, over $2 million in its first weekend, but it struggled to find an audience. It was nominated for several awards, including an Oscar and Golden Globe, but still people didn’t see it. This movie only started to gain a following upon release on VHS/DVD via word of mouth and being quite controversial in its depiction of the sex scenes.

The story for Y Tu Mama Tambien has been told before but is incredibly timeless. Julio (Gael Garcia Bernal – The Science Of Sleep) and Tenoch (Diego Luna – The Terminal) are two teenage boys looking to have fun during their holidays. They meet Luisa (Maribel Verdu – Pan’s Labyrinth) and ask if she would like to go on a road trip with them to find a secret beach called Boca Del Cielo. On their road trip Luisa explains she found out her husband was cheating on her and that this is her escape from him.

The boys discuss sex, life, friendship and more with Luisa during the film. Luisa has sex with Tenoch and then a few nights later with Julio. Eventually they arrive at the beach and enjoy the day by the sea, during the evening they move to a local tavern to drink and dance. The night ends with all three of them having sex. The boys leave the next day, but leave Luisa at the beach as she wants to explore the local area. It’s very rare to have a film that is targeted for men but doesn’t have any macho action. This movie plays best to men of a certain age that did the road trip or always wanted to; of course it helps to imagine you had a sexy lady with you along for the ride. You watch and imagine yourself along with your best mate from school being Julio and Tenoch for 105 minutes, the type of stuff you use to get up to many years ago being beautifully played out on the screen.

Alfonso Cuaron (Harry Potter and the Prisoner Of Azkaban) doesn’t really need to direct, he lets the film play out amongst the three fantastic lead actors. Cuaron shoots it beautifully, giving long lingering shots on elements not vital to the storyline but feel important in that moment. Maribel Verdu is great as Luisa and smoking hot throughout the film; she gives it all a sultry edge. But the stars of the film are the two lead actors – Gael Garcia Bernal and Diego Luna – they steal every scene they are in together. They make you feel like they are best mates and not just acting.

I have to give special mention the scene where the boys fight each other as it’s eerily reminiscent of teenage boys fighting and then giving up. The final scene of the boys together is one of the most heartbreaking in modern storytelling. At one point or another we have all been there, not that we knew it at the time but you look back on that moment and realise what it represented. One of the main talking points of the film is the sex scenes.

Whilst it’s nothing that hasn’t been seen before it’s the use of attitude and the controversial depiction of a woman taking advantage of inexperienced boys. This caused problems getting rating certificates in different countries. Recently it has been re-released as uncut in nearly all countries; as such this has negated the need for a certificate in countries that previously had a problem with the film. Renowned US film critic Roger Ebert referred to it best as “One of those movies where after that summer, nothing would ever be the same again”. Y Tu Mama Tambien is a classic modern foreign language film.

The Voice UK: Live show 4 recap

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Tonight on The Voice UK Team Jessie and Team Danny take to the stage, and again – two from each team will leave the competition tomorrow.

With only four contestants left in each team, the pressure was indeed on for the aspiring singers and their Coaches. Not only will all the contestants sing by themselves, but they will also be singing with their respective mentors, which means – Jessie J and Danny O’Donoghue will perform live! YAY!

First performance of the night was Jessie J and her team. In their VT we saw Jessie try get to know the contestants better in a game of bowling, it looked life fun! When the music started, Jessie stopped and said: “Can we stop? My mic isn’t on! I’m sorry to do this on live TV, but this is what happens!” What followed was an uncomfortable few seconds. Second time round – they started and carried on without stopping. Their song was We Are Young by American band Fun. Although it started a bit uncomfortable, it got better halfway through.

Max from Team Danny was next to sing, and in his VT we saw him not being surprised for being in the bottom two last week. In rehearsals he was using a loop pedal, which would help him to harmonize during his live performance. As Danny said: “If anything goes wrong, then it’s over!” Max went to perform in front of school children to practice using the loop pedal, it went well. His song was KT Tunstall’s Black Horse & The Cherry Tree. Max looked sexy – he was wearing a bowler hat and looked very comfortable on stage despite his nerves. Danny said: “You know, the reason why I’m standing is – you were in the bottom two last week, you came out and smashed it Max!” will.i.am sang: “I feel good!! Honest, it was a great performance, but these are like the finals, and the song wasn’t the smartest.” Jessie said: “I applaud you because you’ve done something like that on live tv, it could have so easily have gone wrong, but you did it. The song choice was too familiar to someone whose doing this.” Sir Tom said: “As far as I’m concerned, Max entertained me.” Well done Max!

Cassius was next from Team Jessie, and after his previous performance, EF was looking forward to hearing him this week. In rehearsals, we saw him having trouble with being tense. Jessie tried to help him. “Cassius has to fight for it. He has to make his performance stand out.” His song was Adele’s Turning Tables. His performance was very atmospheric and absolutely gorgeous – Cassius can sing. He was stood next to a black piano and looked like he’d been performing on stage for years. Jessie said: “I’m so honest with my team about constructive criticism, and Cassius is someone whose very vocal. You let go, you hit your notes very well. But to be constructive, I would have liked to have seen you turn around to face the audience a bit more.” Tom said: “First time I heard him sing I thought he was strong, but he does get stronger and stronger. To sing that song well, more power to you!” Danny said: “Was that strong enough to get you through to next week? I don’t know.” Will said: “Out of all the singers in Team Jessie, you’re one that I want.” Well done Cassius.

Next from Team Danny was Bo Bruce. We like Bo, she’s got something about her. In her VT, we saw her talk about how proud she is of being there. In rehearsals, we saw her talk about the song: “It’s such an emotionally charged song. I need to show my feist.” Danny was surprised about her lack of confidence. Go on Bo, you can do it! Her song was Rihanna’s Love The Way You Lie. From the first note, she had our attention. She reminds us a bit of a young Sinead O’Connor. Bo captured the essence of the song really well, and her voice suited it. Danny said: “That was a amazing performance. I love the way you lie, sing and look! I believe you are one of the most marketable people here, and you’ve got a great ethos. She had a bad back all week too – you’re special.” Will said: “The way you sing, it’s the kind of stuff I like. Rihanna sung it good, but dang…you sang it million times better! No disrespect, but Bo – Wow.” Jessie said: “I love your voice. I look forward to your performance every week. You’ve someone that makes this competition so versatile.” Tom said: “Nerves is part of being a human being, we all have nerves. Nerves never leaves you. Fear is bad, so a little bit of nervousness is fine. It didn’t show.”

Next was Vince from Team Jessie. In his VT, we saw how his family has reacted to his fame and success. In rehearsals, Jessie encouraged him to put his own stamp in the song. Jessie said: “Vince needs to stop being scared of The Voice.” He hoped to hit the high notes and put a smile on people’s faces. His song this week was Whitney Houston’s My Love Is Your Love. Dressed in a Caribbean way, he’d had the song arranged into a reggae style. It worked quite well, but it was missing a little something which we can’t put our finger on it. Jessie said: “Vince came to me with the production for that, and it was a please working with someone that knows what they want. Well done.” Tom said: “Its hard to take anyone else’s song and doing it your own way, and Vince has a talent. He doesn’t sound like anyone else, he has a great vocal range.” Danny said: “I love your vocal, but I don’t think the reggae feel worked, but I hoped it connected with the people at home.” Will said: “Vince is the bomb!” He also tweeted that too…. Well done Vince!

Aleks Josh was next from Team Danny, and EF was looking forward to seeing him. In his VT we saw him experience the fame side of being on The Voice. In rehearsals, Aleks and Danny compromised with the song choice – good work guys! His song was Better Together by Jack Johnson. Stood on stage wearing a white shirt with braces, he looked very lovely. Accompanied by a harmonica and guitar, it should have sounded better but unfortunately it came across quite boring. He could have added a lot more to it, which is a shame as we really like Aleks. Danny said: “The sound of the whole of the Uk is breaking right now! Haha! Everything you’ve done this week is incredible. I’m proud of you.”Will said: “I like your own style and stuff, I love that. I think its fresh. Just after the fifth time, I want to see more variations. I want Danny to push you.” Jessie said: “I thought it was very safe, and thought when is it going to get more exciting!” Sir Tom said: “When I was seventeen, I wanted to set the world on fire! That performance was very relaxed, and then when you say he’s only seventeen, you seem very relaxed. I thought it was too safe for you.” We agree.

Next from Team Jessie was Becky, and having done a brave number last week, we were excited to see her tonight! On her song choice, Jessie said: “Becky needs to be quite forceful with this week.” In rehearsals, we saw her enjoying being around different people and being away from her hometown. Her song this week was Seven Nation Army by the White Stripes, and straight from the off she caught everyone’s attention by shouting “Everybody stand up!!” They sure did. Becky channelled her inner-rockinness tonight and it completely worked for her. She reminded us a bit of Avril Lavigne in her style. She also swore…oops… Jessie said: “Becky, you need to realise how amazing your voice is.” Becky then started to have a panic attack, and Jessie gave her a hug. Jessie continued: “She hasn’t shown everything she’s got, but I can’t wait to see her do slow stuff. People can see her tone, and the way you got everybody on their feet.” Tom said: “She always does enough for me! Becky is on fire as far as I’m concerned. She takes it to the extreme, and I’m slightly concerned that you’ll take it too far with your voice and hurt it.” Danny said: “I’d love to duet with you, I think you’re a fantastic performer.” Will said: “That was fantastic, lots of energy and attitude. I don’t know what you’re worried about, it was great.”

Up next was David from Team Danny. In his VT, we saw him rehearse with Danny. David could relate to the song so well. Danny said: “David is a hopeless romantic.” David had someone in his mind. His song was She Will Be Lovedby Maroon 5. Sat on a stool with his guitar, dressed in denim, his voice was beautiful. EF thinks this is the best performance of the night, his voice suited the song, he captured the essence of the song so well. He also received a tremendous applause. He deserved it. Danny said: “We went left field with you as well, you’ve done me very proud. I really hope whoever you were singing that to tonight was watching.” Will said: “It was real cool. I liked it. I don’t want to be the one and tell exactly how I feel…this is real critical right – two of Danny’s teams are gonna leave, and the way you guys pick songs doesn’t seem like you’re taking it seriously. The way you guys are arranging could be better.” An argument then ensued.

Toni Warne was next, and having being saved by Jessie last week, she was certainly grateful. This week, her song made her emotional. “I’m an emotional person, but this is on another level. I can’t be a wreck on stage.” EF also hoped she wouldn’t be crying too. Her song was Sorry Seems To Be The Hardest Word by Elton John. Wearing a gorgeous red dress and accompanied by a white piano, she looked lovely. Her performance was certainly emotional. Jessie said: “Vocally I said to Toni to do what she wants. I’m so proud of you.” Tom said: “I loved it and you got me. So much emotion when you sing, and you don’t let it crush you.”

Closing the show tonight was a team performance by Danny and his contestants. We saw them go out and bond over go-karting. Their song tonight was Somebody That I Used To Know by Gotye. It was an interesting performance that could also work as a single for them all! Bo and David were great together!

Tonight’s show was good, it started a it shaky with Jessie J and her team’s performance, but that wasn’t the theme for the evening. We loved David, Bo and Becky, but Aleks didn’t set our heart on fire.

The Voice UK Results will be on BBC One tomorrow night.

Tristan Jaxx interview

When you become known for one thing it’s hard to change people’s perceptions and find a career in something else.

Tristan Jaxx is experiencing that problem right now. Known for his career in porn, Tristan is also passionate about music and is building his reputation as a credible DJ.

We caught up with him to find out more about his DJing, to discuss the difficulty of being taken seriously and to find out what he’s got coming up in the future.

How are you today?

Procrastinating doing laundry but other than that I’m awesome.

You’re making a name for yourself away from the adult film industry as a DJ. Tell us about that.

I originally got into the adult industry to help push my name as a DJ.  It really helped with getting me bar gigs now and then but my heart was hellbent on breaking into headlining main room gigs.  I worked hard, constantly pushing out new podcasts (which were all recorded from live sets) and making my own reworks and mashups to elevate myself as a legitimate producer, in addition to DJing.

How did you get into DJing in the first place?

Since about 18, I began noticing dance music.  I remember that my first dance CD was NYC Underground.  Immediately, I fell in love with house music.  There wasn’t a day that went by that I wasn’t digging for new tunes.  The fascination with getting all the music I could find, then playing them for my friends at house parties, began the hamster wheel in my head.  Friends suggested that I should DJ because “duh, you love music so much.” Some even asked me to produce mixes for them.  I felt like a needed an edge with all the competition out there so I started doing adult movies.  This led to my initial gigs in the Castro.  My big break was when I was asked to spin at Gus Presents’ Epic in the front room for six hours, and ended up having the largest crowd for much of the night.  This was the turning point of my career and it was shortly thereafter that I was offered the opportunity to produce my own event at BeatBox, San Francisco’s hottest new dance venue.

Tristan Jaxx

You are the creator, promoter and resident DJ for CHAOS at BeatBox. Tell us a bit about those events.

CHAOS is more than a dream come true for me.  My vision for CHAOS has always been to keep the focus on the music.  I spend hours on end researching DJs that will fit the required CHAOS sound, which is a constant high energy, keeping the crowd moving.  I often look for DJs that I can sense are about to break out and explode onto the music scene because I know how hard it can be to get that big break.  My production team and I all passionately love house music, and our desire is to give people the feeling that they are at a friend’s house party, although it’s actually a huge club with amazing sound and lighting.

You’re known more for your adult film work at the moment. How difficult has it been to gain recognition as a DJ?

Being a successful DJ is something you truly have to live and breathe for, a quality that most assume is not found in those in the adult industry.  This stereotype has always been my biggest hurdle.  I have made it a point to continuously release live mixes, my own productions, and lots of videos from events where I spin so people can see and hear for themselves the dedication that I put into everything I do.

How frustrating is it to be constantly defined by one label when you’re skilled in a variety of areas?

The frustration is always there but, as I’m a Taurus, I use the criticism as motivation to push myself harder. Whether it’s producing, promoting or driving the crowd crazy with my beats, I give it my all. And doing a little dancing myself here and there while I spin helps too.  All I ask is for the chance to be judged on my music alone when being considered for DJ gigs.

Is your plan to balance both of your careers or are you trying to move away from the adult film industry?

I have enjoyed my time in the adult industry but my true passion is music.  Ultimately, I would like to work full time in the nightlife industry.

Tristan Jaxx

What music really inspires you and gets you dancing in a club?

The music I spin is inspired by the types I enjoy dancing to myself.  I’m heavily influenced by Brazilian and Mexican DJ’s such as Mauro Mozart, Jeff Valle, Beatallfusion, Oscar Velasquez, Enrry, Allan Natal, J Zuart, Edson Pride and Arenna, to name a few.  Other big influences have been after hours DJ’s such as Paulo and Tony Moran due to their ability to keep the energy up for insane amounts of time, something I strive for with every set.

What other things would you like to pursue in your career?

My next step is to learn how to create original productions and work with other artists to create unique tracks.

What else do you have coming up in 2012?

At Chaos, I either open and/or close and occasionally, I headline, depending on the month.  Besides that, I’m getting ready for several upcoming events.  I’ll be headlining Pure Pride in Winnipeg, Canada on the Friday & Saturday of Memorial Day weekend.  I’ll also be closing out the IML/Grabbys weekend on Sunday at Hydrate in Chicago.  Additionally, the success of Chaos has given me the opportunity to produce a new event, Climaxx, occurring at BeatBox on Folsom Street weekend.  Climaxx will be following Real Bad on Monday morning at 2AM, a new closing to this award-winning circuit weekend.  I’m pleased to announce it here first that I will be the DJ for this dark after hours event.

Keep up to date with Tristan by following him @DJTristanJaxx or by heading over to his websitewww.djtristanjaxx.com

Hellbent

Celluloid Closet is back for May’s instalment and this month we’re bringing you something very different from last month’s movie Coffee Date. Whilst that film was light, fluffy and a little bit romantic, this month’s movie is the gay horror movie classic Hellbent. That’s right folks we’re getting a little dark (to match the UK weather) and moving away from the romantic side of gay cinema.

Hellbent focuses on four gay friends who dress up for an evening of fun and frolics at the West Hollywood Halloween Carnival. Even though there’s been a grisly double murder in the city, the four guys decide they are still going to party their socks off. As the evening gets more and more raucous, an evil killer tracks the four men down and begins to pick them off one-by-one. Can any of them survive or is this one Halloween night that’s going to end in bloodshed?

The gay cinema genre and horror don’t always go very well together. Often the combination can lead to low budget softcore porn but Hellbent doesn’t do that. Hellbent may not redefine any horror genre conventions but it does serve up an interesting enough storyline to keep you engaged. As with all the best horrors it leaves you wondering and lets your imagination run wild rather than spoon-feeding you every detail you need to know.

Hellbent

From the opening sequence featuring the grisly murders of two guys getting it on in their car through to the genuinely creepy third act face-off, Hellbent builds slowly and hits when you’re least expecting it. Over the course of the movie expect to see plenty of blood and we bet you’ll be looking at Halloween through different eyes when it comes round again this year. Also prepare to be creeped out by the sinister horned killer that stalks the beautiful young things over the course of Halloween night.

Hellbent

Key to Hellbent is the rather drop dead gorgeous Dylan Fergus. In the lead role of Eddie, Fergus is not only decent guy candy, he also shows some acting muscle. He makes for a great leading man and he plays Eddie with a mixture of vulnerability and strength. For much of the film he’s pursuing bad boy Jake (Bryan Kirkwood) and trying to keep track of his wayward friends. Since this movie Fergus has gone on to star in a variety of projects most notably as Noah Bennett in US soap Passions. Now he’s stepped behind the camera to try his hand at directing, writing and producing.

HellbentIf you like your horror with its tongue firmly placed in its cheek then you’ll love Hellbent. Not the highest budget horror we’ve ever seen but it certainly makes the most of what it does have. From the creepy killer through to the buff boys Hellbent knows its audience and makes sure you have an enjoyable ride.

Hellbent is available now through TLA Releasing.

The Voice UK: Live show 3 recap

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Tonight on The Voice UK, it was the turn on Team Will and Team Tom to sing to win a place for another week, and with two contestants from both teams facing the chop tomorrow night, the pressure was on.

Both judges were tonight singing with their contestants in a group performance, and we here at EF Central were looking forward to both performances! What more could you want?! will.i.am and Sir Tom Jones!

Leanne was first up from Team Tom, and in her VT we saw her explaining how happy she was with her first performance. In rehearsals, we saw her trying to perfect I’ve Put A Spell On You, and she sang it first ten years ago at a holiday resort where she met her husband. How sweet? She same on stage dressed in black and looking very seductive. Her first notes were perfect, and she looked as if she was enjoying it. Whilst she was very good, EF doesn’t think she has that recording voice and maybe she’d be more suited on cruise ships etc. Sir Tom said: “She can handle pressure. Leanne opened the show, she can do anything she wants, she has a fantastic voice. She’s got confidence right now.” Dannny O’Donoghue said: “When you first started, I thought you were looking at me, and I genuinely thought you’d cast a spell on me.” will said: “She put a spell on me. Really, those riffs and runs you were doing…wow…!” Jessie J said: “Your control is so smooth, and that’s my favourite performance by far.” Well done Leanne!

Next up from Team Will was Frances Wood. In her VT, we saw her tell of her joy of being in the competition and not being in the bottom two last week. She said: “It’s the best experience I’ve had so far.” Her song was Show Me Love. Dressed in a white tutu, she looked brilliant! The song suited her voice and her attitude. We think will.i.am made the right decision with Frances. Well done! Will said: “You did great, you held it down, it was strong, youthfull, you did me proud.” Jessie said: “It was very comfortable, I would have liked to have heard it in a higher key.” Tom said: “She’s Princess Leah!” Danny said: “Frances, she dances, she takes some chances! I’m not gonna lie, it was your best performances vocally, the growth I’ve seen working with will has been good, but I don’t know if it’ll get you through. But, well done.”

Next up for Team Tom was Matt & Sueleen. In their VT, Matt said how hard it was for them to be in the bottom two, two weeks ago. They found the pressure very hard, but enjoyed going back to their home town of Canteburry. In rehearsals we saw them trying not to clash their harmonies too much. Their song tonight was Missing by Everything But The Girl. On stage, they were both sat on park separate park benches and sat back-to-back. Their rendition of Missing was very different from the original, and EF enjoyed it. Tom said: “I liked it, you take chances. The harmonies are fantastic, I wouldn’t be brave enough to try harmonies like that”  Danny said: “I found it strange that you didn’t look at each other, but then again, you guys took chances.” Will said: “You guys proved that I want to hear more. It looked amazing, I don’t know whose idea it was to sit on a park bench, but it was amazing. It looked straight from a Harry Potter moment.” Jessie said: “I’m still trying to make my mind up on how I feel about that. I love the fact it was such a risk, but I don’t think it showed you guys up to your full potential.” EF enjoyed them.

Joelle Moses was next for Team Will. Two weeks ago, she found herself in the bottom two, and felt heartbroken. This week, she wanted to sing I Surrender by Celine Dion, but Will wasn’t sure about her choice of song, so…the next day she decided to sing Stronger by Kelly Clarkson. She came on stage dressed in a sparkly silver and black dress – she looked the part. Her voice and attitude are strong and that’s what we like. Will said: “I’m taking this real serious, like, when we go out on tour, I check what other bands do, with their stage presence. There’s not much I can help you with your voice, but what I can do is help with your stage presence. I get into it man!” Jessie said: “That was vocally great. I want to see you let go more though. Your voice is amazing, and I can’t wait to see what you’re going to do later with your team!” Tom said: “She reminded me of Muhammed Ali. You’re strong, you might have felt down that you were in the bottom two, but you were great.” Danny said: “You were a little shaky to start with, but, congratulations.”

Up next was Ruth Brown for Team Tom. Two weeks ago she blew everyone away with her performance, so we were especially excited to see her this week. In her VT, we saw her in rehearsals  and catching up with Emile Sande backstage. She had a few ideas for her performance this week. Her song this week was Next To Me by Emile Sande. Ruth caught our attention straight from her first note and held it all throughout it. Back in her auditions, we were worried that she was shouting too much, but tonight – she was perfect (though we’re not sure about her colourful outfit). As the song progressed, her emotions and passion reminded us of Tina Turner. The applause was deafening. Well done Ruth! Tom said: “When I hear Ruth sing, I get chocked up. We’re going to be singing later, and I hoped I won’t get chocked up too much. I’ve sang duets with many people, but this girl has got something….” Danny said: “I really believe you’re going to get down as a legend. My hairs stand up!” Will said: “So…you sing incredible, we all know that. You get better and better, to the fact that the stage gets so boring. You don’t need explosions, but if you need any – I can design some for you. That would be out of this world!” Jessie said: “It’s just so nice to see you explore your voice. You’re a soul singer. You make me feel…ahh!!”

EF favourite Tyler James was next for Team Will. Having won many fans with his good looks and gorgeous voice, we were excited to see him again this week. In his VT we saw how nervous he was. Tyler’s song tonight was My Baby Just Cares For Me. He reminded EF a bit of Jedward tonight – hairstyle wise. Dressed in a purple suit, he looked the part. His voice suited the song, and we couldn’t stop looking at him. He’s got the type of voice where you could listen to him all day. Will said: “You are a true artist man. Working with you in rehearsals and hanging with you, I couldn’t tell you were nervous. Your country should be honoured to have such a soulful cool person.” Jessie said: “I want to chill with you! I would happily go out and buy an album with your voice.” Tom said: “I heard Prince sing the song, and you didn’t try to copy him. Well done.” Danny said: “You’re very brave to sing in falsetto all the way through, but I didn’t hear any pitching issues. Well done.”

Adam was next for Team Tom, and having done a controversial song two weeks ago, pressure was on for him to excite us again this week. In his VT, we saw him enjoying receiving messages from the ladies. We saw his partner, and how much she supports him. His song tonight was High And Dry by Radiohead and he was stood in the middle of the stage with his guitar looking very grungy. Adam has the presence and the voice, his performance was to us was flawless. Tom said: “He’s got a very honest voice, and the falsetto is just as strong. I’m sure there will be lots who wants to mother him. I know the feeling..hahah!” Danny said: “Personally, it wasn’t your best performance. It lacked a little bit of emotion and ejection. But, again, I commend you on a great choice of song.” Will said: “I thought it was dope, and I don’t just say dope for anything.” Jessie said: “You’ve got a gorgeous tone, especially for recording. I agree with Danny, for me personally, last week you really came forward.”

It was then the turn for the amazing Jaz Ellington to take to the stage for Team Will. Having amazed everybody two weeks ago with his gorgeous voice, we were looking forward to hearing him this week. In his VT we saw Jaz and his wife go for a scan to find out the sex of their baby. How cute! A little baby boy! This week, he’ll be singing a mash-up of Billy Joel’s Just The Way You Are and also, Bruno Mars’ Just The Way You Are. Jaz received some whoops from the audience in his first notes, but then it all went quiet as everyone listened to him. The mash-up worked quite well. Our only issue, and it can’t be helped, is his voice was a bit croaky, but he’s had a chest infection. He finished well though. Well done Jaz. Will said; “I’m a speak from my heart. My mom was a single mom, and I wish she could have someone there for her.” Jessie said: “the most amazing thing about music is when someone writes a song, its so personal and they give it to the world. That was just lovely.” Tom said: “It depends what kind of song you sing, you work the crowd. When you sing jazzes like this, its plain to see that you have someone in mind, but you not only did it to one person – you did it to the whole audience.” Danny said: “I’m glad you took my advice from last week, you’re special!”

After all eight contestants had sung, they all had a chance to sing with their Coach in a group performance. The first was Team Tom. We saw them in rehearsals enjoying a spot of mini golf, and Sir Tom hoped his team would be better at singing than they were playing golf! Their song was Hit The Road Jack – AMAZING! Sir Tom was really going for it, as were his contestants. He actually stood out. Adam surprised us, as this is not the kind of song he’d normally sing! Well done Team Tom!

The second performance was Team Will, and knowing Will, he’d do something big! In the VT he said: “I want them to be rocking it!” To relax, Will had arranged Jamie Oliver to bring them some food – oohh lovely! Their song was Ray Charles’ I Got A Woman. Tyler opened, and yes – he rocked it! Jaz came in, soulfully singing away. Then, Will came in and did some rapping but incorporated the Black Eyed Peas’ I Just Can’t Get Enough. Well done! It was great! We felt like we were in a concert!

So, tonight’s performance were different to each other. EF loved Matt & Sueleen, Ruth Brown and Tyler James, and we do hope they’ll be back for another week.

The Voice UK Results continues tomorrow night at 7.25pm on BBC One.

Rich Sommer interview

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Mad Men returned for it’s long-awaited fifth season earlier this year picking up the adventures of Sterling Cooper Draper Pryce.

Whilst lots of people have their eye on the leading characters, we’ve always harboured a lot of love for Harry Crane played by Rich Sommer. The head of the agency’s TV department, Harry is often a scene stealer and always brings subtle comedy to the show.

We caught up with Rich to talk about the new season, discuss the long delay between seasons four and five, and to find out what it’s like on the Mad Men set.

How are you today?

Just fine, thanks.

Season Five of ‘Mad Men’ is underway. What can we expect from this season?

From here on out, it just get more and more intense. I love this season’s scripts.

Rich Sommer

We’ve seen Harry trying to bond with Don in a recent episode. How do you think that relationship will develop?

Well, Don’s opinion of Harry seems to be fairly firm. I don’t think signing an unknown band that he thought was The Rolling Stones helped Harry’s case at all.

‘Mad Men’ took a break between its fourth and fifth seasons. Was that experience a frustrating one for you?

It’s always hard to sit on my hands in between seasons. I try to remain busy, but I am always very eager to get back. This break was much longer than any of the others. I certainly hope we don’t repeat that.

What’s been your favourite moment for Harry throughout ‘Mad Men’ so far?

It’s probably a toss-up between the White Castles in Don’s car this season, and the underwear scene with Don at the end of season one. As far as the writing goes, I’ve never gotten to say anything as lovely as what I said about the Lascaux cave paintings and college photography — all while sitting there in my underwear. Pretty fantastic.

‘Mad Men’ always looks like so much fun to film. Tell us a bit about shooting of the show.

It is beyond fun. We have now been together for five years, and the camaraderie and inside jokes run deep. It’s a very social group. I usually stay for a bit after wrapping just to play dominoes or listen to stories. I’ve come in on days I wasn’t called, just to see my friends. It’s a remarkable place to work.

Rich Sommer

You did some voice work for ‘L.A. Noire’. How did you get involved and what was that experience like?

The casting directors for Mad Men also worked on L.A. Noire. Not surprising, I guess, when you look at how many of us popped up in the game. It was a weird experience. I was acting with Aaron Staton, which is nothing new, but the wetsuits with ping pong balls all over were a new thing.

We hear you’re a keen board gamer. What do you love about them so much and which is your favourite?

I don’t know what I love about them. I hate math, and they’re basically just prettied-up math problems. But they do grab me. It’s a chance to use your brain in a very different way, and to simulate competition where very little actually exists. I have a very weird philosophy about games. My favorite is probably Die Macher, a game based on the German political system. It is absolutely beautiful.

What have you got planned for the rest of 2012?

Right now, I’m in New York, rehearsing for the Broadway revival of Harvey. I’ll be here through the summer, then it’s back to LA for more Mad Men. Hopefully. I never really know what’s coming.

‘Mad Men’ continues on Sky Atlantic on Tuesday at 9pm.

eCupid DVD review

Marshall (Houston Rhines) is an ad guy who finds himself wanting more from his life as he nears 30. Beginning to bore with long-time boyfriend Gabe (Noah Schuffman), Marshall begins to search online to spice up his love life. After stumbling across an app called eCupid, Marshall downloads it with curiosity. The app scans every inch of Marshall’s online life and starts putting him in touch with the kind of guys he thinks he wants. As his relationship with Gabe breaks down and Marshall receives the overwhelming attention of work colleague Keith (Matt Lewis) he begins to realise that he may have already had what he always wanted.

eCupid is the latest movie from director/writer J.C. Calciano and is his follow-up to the critically acclaimed 2010 movieIs It Just Me? As he showcased with Is It Just Me? Calciano has quite an eye for a romantic comedy and with eCupid he doesn’t disappoint. If you go into eCupid expecting a depiction of real –life then you’ll find plenty to pick at but if you go in just expecting to enjoy the ride then you’ll find much to enjoy.

eCupid is a little silly and obviously the storyline could never happen in the real world but the essence of it is a tale told many times in may different ways. Marshall has a ‘grass is greener’ view of how his life could be and it’s not until he sheds his old life that he realises the new life he’s pined for isn’t all it’s cracked up to be. As men hit on him left right and centre (including an adorable small role from Chris Rubeiz), Marshall finds himself desperate to reconnect with Gabe and get their relationship back on track.

At the centre of eCupid is the cute, funny and very watchable Houston Rhines. Perhaps best-known for appearing in Kelly Clarkson’s My Life Would Suck Without You music video, Rhines is simply adorable as central character Marshall. Not only is he smoking hot but he plays Marshall with the right amount of naivety. Based on his performance here he’s got a bright future ahead. Matt Lewis is also great fun as the over-enthusiastic Keith who spends the entire movie trying to get into Marshall’s pants. Iconic TV actress Morgan Fairchild pops up in a small cameo towards the end of the movie adding star quality to an already enjoyable movie.

eCupid is silly but engaging fun. Single-handedly director Calciano seems to be carving a nice out for himself as a gay romantic comedy writer/director and he does the job so well. eCupid assembles a gorgeous cast, a funny storyline and some genuinely sweet moments for 95 minutes of pure escapism. If you liked Is It Just Me? then you’ll love eCupid.

The Walking Dead: Episode 1 – A New Day review

The Walking Dead has become one of the most popular TV shows in the world and broke AMC records during its first season. A hit on this side of the pond too, the show has brought one of the best zombie horrors to the small screen reinventing the genre as it goes. Based on the comic books by Robert Kirkman, the series has been turned into a computer game by Telltale Games and the first episode, A New Day, has just been released.

When news of a game first surfaced we expected it to be a retail boxed version but Telltale Games decided to take it down the increasingly popular episode route that has proved a success with the continuation of the Sam & Max andMonkey Island series as well as newer hits such as Law & Order and Jurassic Park. If you’re familiar with any of those titles then you probably think you know what to expect from The Walking Dead. Well think again because The Walking Dead is a completely new experience that far surpassed our expectations.

Avoiding the expected combat style route that many expected, The Walking Dead is decision-based, narrative-driven game that puts you in the shoes of new character Lee. Whilst on his way to prison in a cop car, Lee is left fighting for his life when the car hits something in the road and overturns in the rough. Escaping from the car Lee soon finds the dead cop that was driving come back to life as a zombie and after a quick battle scrambles his way to a desolate house where he finds scared little girl Clementine. We won’t spoil any more of the story but suffice to say there’s plenty of characters to meet and plenty of scares along the way.

The Walking Dead: Episode 1 - A New Day

The first episode weighs in at around two to two and a half hours in length depending on your ability to solve some of the trickier puzzles later in the episode. Characters new and old feature along the way. Main character Lee is a new addition but fans of The Walking Dead will recognise Glenn and Hershel.

Much of the game relies on conversation with every decision you make changing the course of the rest of the game. Your response during conversations makes the character you’re talking to respond in different ways and they remember things you say and do. This means you have to be pretty careful not to get on the wrong side of certain people if you think you may need them later on. There are also plenty of moral dilemmas throughout such as choosing which of your fellow survivors lives during zombie attacks and also what to do if one of your camp is bitten. Make no mistake that The Walking Dead brings the most brutal decisions into your power leaving you feeling not only guilty but wondering if you’ve made the right decision. We’re pretty sure towards the end of the episode we made a terrible decision but we’ll likely find out in the next instalment.

One of the things we liked about The Walking Dead is the statistics it shares at the end of the episode. You see a dashboard depicting all the decisions you made with a comparison of what other players chose to do. We thought. This was a cool little addition and made us realise we’d definitely made one very poor decision.

The Walking Dead: Episode 1 - A New Day

Visually The Walking Dead is stunning. Taking the comic book as its basis it translates beautifully onto PSN. The characters are impressively detailed and the locations rich with plenty to explore. Amazingly even the voice acting is really good which is pretty rare for this type of game.

The control interface is pretty easy to use. A faded cursor with four points appears on the screen. When you hover over something you can interact with it makes it obvious and highlights the different actions available. This is a feature you can disable at the beginning of the episode if you want to make your life even more difficult. Our only complaint is that sometimes the camera angle is restrictive and we would have liked to have had a 360 view throughout. The way the camera is set can make it difficult to fully explore an environment.

The Walking Dead – Episode 1: A New Day brings the rich storytelling of both the comic book and the TV series to a new platform and succeeds on every level. Anyone worried that this would be a cheap cash-in can be assured that it’s anything but. Survival horror has never looked so good and the refreshing decision-based gameplay adds a new twist to a previously exhausted gaming genre. After seeing the trailer for Episode 2: Starved For Help we can’t wait to rejoin Lee for the next part of his adventure.