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Eurovision winner Loreen drops new single ‘Forever’

Current Eurovision champ Loreen has released new single ‘Forever’ via Promised Land Recordings.

The song was written by Loreen and Boy Matthews (Duke Dumont) and it’s produced by Billen Ted (Raye) and Zhone (Troye Sivan). ‘Forever’ is a rousing dance track that is destined to become a club classic.

Loreen’s Moroccan Berber roots are embedded in her sky-scraping spiritual pop sound. “In the first chapter of the story, which is ‘Tattoo’, you meet this entity – she’s male, she’s female, she’s everything. She comes from the earth, from the dust, and it’s very spiritual,” Loreen explains. “And now in the second chapter, Forever, there is an awakening. It’s about a moment where you’ve gone through all the earth and dust – you’ve gone through life – and you can see things clearly. You’re leaving all your illusions behind and you’re free.”

Loreen will return to the Eurovision Song Contest Final tomorrow to premiere a world exclusive performance of the new track with millions expected to watch worldwide. She says: ‘I’m thrilled to be performing at this year’s Eurovision final in Malmö. You make me feel like forever and truly blow me away every single time. This performance is dedicated to you, the community and fans who constantly give me love. Consider this my heartfelt gift to you.’

Earlier this week, Loreen announced her juggernaut 2025 UK & European tour kicking off in Netherlands on 15th February with 20 stops across Europe before she makes her way to Birmingham on 17th March, a headline show at London’s iconic Eventim Apollo on 19th March before continuing onto Liverpool, Manchester, Bristol and Glasgow before wrapping in Dublin Ireland at 3 Olympia on 27th March.

Loreen’s upcoming shows are:

2024 FESTIVAL SHOWS

Thursday 23 May 2024                       Jelling, Denmark                      Jelling Festival

Saturday 25 May 2024                        Birmingham, UK                     Birmingham Pride

Thursday 30 May 2024                       Stockholm, Sweden                Grona Lunda

Friday 7 June 2024                              Trondheim, Norway               Neon Festival

Saturday 8 June 2024                          Stavanger, Norway                 Vaulen Open Air

Saturday 22 June 2024                        Isle of Wight, UK                    Isle of Wight Festival

Sunday 23 June 2024                          Landgraaf, Netherlands           Pinkpop

Thursday 27 June 2024                       Stirling, UK                             Stirling Summer Sessions

Friday 28 June 2024                            Furuvik, Sweden                     Furuvik Park

Saturday 29 June 2024                        Odense, Denmark                  Tinderbox

Friday 5 July 2024                               Bucharest, Romania                SAGA Festival

Thursday 18 July 2024                        Montreux, Switzerland           Montreux Jazz Festival

Saturday 20 July 2024                         Nieuwpoort, Belgium             Niuwpoort Beach Festival

Friday 26 July 2024                             Ostersund, Sweden                Storsjoyran

Saturday 24 August 2024                   Manchester, UK                      Manchester Pride

Thursday 29 August 2024                  Goteborg, Sweden                  Goteborg Kalaset

Saturday 7 September 2024               Genk, Belgium                        Happy Rebel Festival

Sunday 8 September 2024                  Munich, Germany                   Superbloom Festival

Thursday 12 December                      Amsterdam, Netherlands       Het Grote Songfestivalfeest              

2025 UK & EUROPEAN TOUR

Saturday 15 February 2025                Utrecht, Netherlands             TivoliVredenburg

Sunday 16 February 2025                   Oberhausen, Germany           Turbinenhalle Oberhausen

Wednesday 19 February 2025           Oslo, Norway                         Sentrum Scene

Thursday 20 February 2025               Stockholm, Sweden                Annexet

Saturday 22 February 2025                Vilnius, Lithuania                     Twinsbet Arena

Sunday 23 February 2025                   Warsaw, Poland                      Stodola

Monday 24 February 2025                 Krakow, Poland                      Studio

Tuesday 25 February 2025                 Berlin, Germany                     Huxley’s

Thursday 27 February 2025               Prague, Czech Republic          Roxy

Friday 28 February 2025                    Vienna, Austria                       Gasometer

Sunday 2 March 2025                         Budapest, Hungary                  Akvarium Klub

Tuesday 4 March 2025                       Munich, Germany                   Muffathalle

Wednesday 5 March 2025                 Brussels, Belgium                    AB

Thursday 6 March 2025                     Paris, France                           Olympia

Saturday 8 March 2025                       Barcelona, Spain                      Paral-lel 62

Sunday 9 March 2025                         Madrid, Spain                          La Riviera

Tuesday 11 March 2025                     Zurich, Switzerland                X-Tra

Wednesday 12 March 2025               Milan, Italy                               Fabrique

Friday 14 March 2025                         Lyon, France                           Transbordeur

Saturday 15 March 2025                     Luxembourg, Luxembourg     den Atelier

Monday 17 March 2025                      Birmingham, UK                     O2 Institute

Wednesday 19 March 2025               London, UK                            Eventim Apollo

Friday 21 March 2025                         Liverpool, UK                         O2 Academy

Saturday 22 March 2025                     Manchester, UK                      Academy

Sunday 23 March 2025                       Bristol, UK                              O2 Academy

Tuesday 25 March 2025                     Glasgow, UK                           O2 Academy

Thursday 27 March 2025                   Dublin, Ireland                        3 Olympia

Grab tickets for her European tour at at LoreenOfficial.com.

What’s the running order for the Eurovision Song Contest Grand Final?

The Eurovision Song Contest reaches its Grand Final tomorrow with 26 countries battling it out to be crowned the winner.

This year’s competition has been overshadowed by protests over the inclusion of Israel but so far things have gone off without a hitch. The United Kingdom will be represented this year by Olly Alexander with his song ‘Dizzy’, although it doesn’t look like we’ll be bothering the upper echelons of the scoreboard.

Earlier this week the two semi-finals took place, which saw the remaining finalists confirmed ahead of Saturday’s Grand Final. The action will start at 8pm on BBC One and BBC iPlayer, and fans will be able to vote through the Eurovision app once the show starts.

As you get ready for the Grand Final, we’ve got our hands on the running order so you can see when your favourite acts will be performing. The UK has a place in the middle of the show, which may help in terms of viewers voting as acts nearer the start of the running order tend to not to do as well.

The running order for the Eurovision Song Contest Grand Final is:

  1. Sweden
  2. Ukraine
  3. Germany
  4. Luxembourg
  5. Netherlands
  6. Israel
  7. Lithuania
  8. Spain
  9. Estonia
  10. Ireland
  11. Latvia
  12. Greece
  13. United Kingdom
  14. Norway
  15. Italy
  16. Serbia
  17. Finland
  18. Portugal
  19. Armenia
  20. Cyprus
  21. Switzerland
  22. Slovenia
  23. Croatia
  24. Georgia
  25. France
  26. Austria

The Eurovision Song Contest Grand Final airs at 8pm Saturday 11th May 2024 on BBC One.

Interview: Cheryl Baker on Eurovision memories, what she’d tell Olly Alexander and more

Eurovision 2024 is just around the corner, with Olly Alexander due to represent the UK in tomorrow’s Grand Final in Malmo with his song ‘Dizzy’.

He’ll be following in the footsteps of many Eurovision legends – including Cheryl Baker, who won the contest as part of Bucks Fizz back in 1981 with ‘Making Your Mind Up’ (and gave us the now-legendary ‘skirt rip’ moment in the process!). She’s since gone on to numerous acting and TV presenting gigs, and continues to perform as part of The Fizz alongside Mike Nolan and Jay Aston.

Earlier this week I spoke to Cheryl about her memories of the Contest, the advice she’d give to Olly ahead of his performance, what’s next for her and The Fizz, and much more.

We’re speaking during Eurovision week – can you tell us a bit about your memories of representing the UK with Bucks Fizz?

Oh great memories. I did it once before, in 1978 in Paris, and they were not very good memories. ’78 was with a band called Coco. ’81, I’d left Coco, I was in Bucks Fizz, we travelled to Ireland and Mike Nolan is Irish, he’s from Dublin, the competition was in Dublin, so already I knew we were gonna have a party [laughs]. And we did! From the moment we set foot in Ireland, we just had a great time. However, the IRA had threatened to disrupt the competition, and I guess the Special Branch or whatever you wanna call them, they probably knew an awful lot more than we did. And we had armed guards with us everywhere we went, like a personal guard. We had them sitting outside our rooms in the hotel. So it should have been a scary time, but we weren’t really scared because we were young, and you just see the excitement in it. However, the time where we went to any events where you meet the other delegations, and rehearsals, and things that the RTE organised for us, they were so much fun! We had a great time. And when we had any spare time it was usually with Mike Nolan’s family. I mean, I’d never tried poitin (Irish spirit) before, but I have now! [laughs]

What did you think of it?!

Oh, it blew my head off! [laughs]

Obviously you’re remembered for winning but also for the iconic skirt rip. Did you know that it would become such a huge Eurovision moment?

Not in the slightest. Because we came about the skirt rip by chance. I wanted to wear a skirt to the knee and Jay wanted to wear a mini skirt. And we were all in a room, there was the production, record label and manager, the choreographer, loads of people all giving their opinion of what we should be wearing. It was already established we were gonna wear bright colours, but then what style of clothes? And in the end I went “oh, short skirt, long skirt, let’s just wear both” being very flippant about it, and the choreographer Chrissy Wickham said “that’s it! On the night, ‘if you wanna see some more’, we take the top skirts off and the mini skirt’s underneath”. So then we started rehearsing, we had the skirts made, we had a brooch put on the waistband so that the boys weren’t gonna miss it, you know? They’d grab the brooch and the skirt comes off easy.

So then it’s just part of the routine. And we rehearsed it, rehearsed it, rehearsed it until we were rehearsing it in our sleep. And so when it came to actually the performance, when we did the Song For Europe and then the Eurovision, it was just part of the routine. We weren’t thinking about “oh wow, we’re taking a bit of our clothing off on stage”. But didn’t think of that until we saw the reaction from people. And like you say, even now, that’s the bit of the song that is shown every single year. But look at Eurovision now, I mean, there’s hardly a scrap of clothing on any of the performers! [laughs] But even so, that skirt rip moment was the beginning of “wow, let’s do something with the outfit” rather than just sing the song. So yeah, quite proud of it actually!

Speaking of this year’s contest, Olly Alexander is representing the UK in Malmo – what advice would you give to him as he’s preparing for that performance?

I can’t give Olly Alexander advice! [laughs] He’s got an amazing voice, he’s gonna put on a fantastic performance. I’ve got no doubt that it’s gonna be extraordinary. And I’ve seen clips of him rehearsing and dancers that he’s got, and like I was saying about the clothing they’ve hardly got anything on! But that’s the way Eurovision has gone. And the ‘Dizzy’ thing, it’s gonna look as if they’re all rolling around and everything. I think it’s gonna look amazing and he will be fantastic. All I would say, it’s not advice, all I would say is just enjoy the moment, because for those three minutes he’s gonna have hundreds of millions of people watching. And that’s probably never gonna happen in his lifetime. It hasn’t happened to me again in my lifetime. Well I did do Eurovision twice, so it did happen twice, but it’s very unlikely that it’s ever gonna happen again. So just enjoy the moment. And three minutes, it goes like that. At the end you think, “is that it? Have I done it?” [laughs] But yeah, just have a great time. That’s all I would say to him.

Do you think the UK could win it again this year? Or is there anyone else you’re rooting for?

Of course I’m rooting for Olly Alexander! Of course I want him to win, I want the UK to win. But I do think that there’s too much opposition and there’s too much good opposition. Croatia at the moment, they’re the favourites, Switzerland were the favourite, Italy’s got a good song. Ireland, whoah, have you seen Ireland? It’s crazy. Nothing like you imagine an Irish song to be. Really upped the ante. I think they wanna get the crown back, because they share it at the moment with Sweden, seven wins each. They wanna tip the balance and make it eight for Ireland, and I think they’ve got a good chance. But Olly, no, I think Olly’s probably gonna come somewhere in the middle. I don’t think he’s gonna get nil points. There’s no way he’s gonna get nil points because it’s too good. It’s too good a performance and too good a song and too good a production. Everything about it is strong. I don’t think it’s strong enough to win though unfortunately.

I also wanted to ask you if you’ve got a favourite Eurovision moment from previous years – not including winning of course…

Oh I loved Loreen when she did ‘Euphoria’. I thought that was great, I thought that was amazing. And there was one called ‘Wild Dances’, that might have been Ukraine. I think I prefer the women because their costumes are always fabulous. And I love it when they’re a bit warrior like, and drums, big drums. I like those kind of songs. So Eurovision has certainly changed dramatically since ‘Boom-Bang-A-Bang’, back in the 60s, or ‘Save Your Kisses For Me’. It’s so completely different now. And it’s relative music now. It’s relative to the charts, and to what the audience want, which I think is great. I think it’s evolved in a good way.

You’re still recording and touring with The Fizz – what is it that keeps you going with the music and it still being such a huge part of your life?

Well it is my life. I don’t know if you can see but round the room there’s guitars everywhere and keyboards. I’m married to a musician, my children are musicians, we live music. Our family lives music. And I always have. I’ve been singing since I can’t remember when, since I was a dot, and I’ve always wanted to be a singer. It’s not a career choice, it’s my life. Music is my life, and I live for it. And I get on that stage and hear cheers and I think, “this is fantastic”. And it just… honestly, no drug or alcohol would give me the buzz that I get from going on stage in front of an audience. It’s just the best feeling. And when you sing ‘The Land Of Make Believe’, that’s the penultimate song we always do, and everyone is singing along. Have a look on YouTube. Honestly, the gigs we’ve done recently, everyone is singing the lyrics to ‘The Land Of Make Believe’. And then they don’t stop cheering at the end. They don’t stop cheering. And I have to shut them down and I go, “well of course we’ve got one more song, that funny old song that won Eurovision” and they go, “YESSSS!!!” I live off that. Honestly I live off that. It’s so fantastic. And I don’t wanna do without it. I love it too much.

Is there anything from your career you’re particularly proud of – winning Eurovision aside?

I don’t know about proud of. We did win the Best Song Award, that was in November 1981. That was great. I’m proud that we had three number ones, I wish that we’d had more. I’m proud that we did Top of the Pops Christmas show, because that was the icing on the cake. If you got onto the Christmas show you were one of the best performances of the year, and Top of the Pops wanted you to be on their show. They put me on wires and so in ‘Land Of Make Believe’, in the chorus I went up on the wires and I was doing the routine in the air. It was fantastic. They were glory days, they really were. And I’m still living them now. Coming back to the question, I think I’m most proud that I’m still doing what we did back in 1981 and still getting the same or even better reaction for it, because people still love the 80s.

Is there still anything on the bucket list for you career-wise? I saw your Twitter post that you’re a fan of The Traitors – would you ever want to go on that?

Yes I would love to do Traitors! And I’d love to go in the jungle. And I’d love to do Strictly. But Traitors, I couldn’t be a Traitor though, I’m useless. I can’t tell lies. But I’d love to do it. I thought Traitors was fantastic. Oh, what a show! I was hooked! [laughs]

What’s coming up next for you? I know you’ve got some live dates with The Fizz and I read you’re working on new music – will that be the focus for the next six to 12 months or so?

Well certainly we’ve got gigs. Mike Nolan’s last gig is gonna be the 20th of November, I know that, and we’ve got festivals and 80s weekends and performances in between then. But Jay and I will plan ahead. And I’m writing a book. I have been writing a book for years, I need to finish it, so there will be a book. And then who knows? There’s gonna be a musical about Bucks Fizz next year. We won’t be in it, but it’ll be interesting to see what comes from that. I wanna carry on working. I know all of my peers, all of my school friends who I see all the time, they’ve all retired, long retired. There’s no way I could retire. This is what keeps me going, working. I love it.

Cheryl Baker was speaking to Entertainment Focus on behalf of Heart Bingo

Could Israel’s Eurovision entry Eden Golan win the competition?

The Eurovision Song Contest takes place this weekend in Malmö, Sweden and it’s sure to be one of the most memorable in Eurovision history.

Unless you’ve been living under a rock the past few months, you won’t have failed to see the endless coverage about Israel taking part. Having been part of Eurovision since 1973, Israel has won the competition four times – most recently in 2018 with Netta’s ‘Toy’ – but this year there have been calls for them to be excluded.

Why are people calling for Israel to be excluded from Eurovision?

On October 7th 2023, terrorist organisation Hamas – the elected Government for Palestine – committed an unprecedented attack against Israel at the Nova Music Festival and Southern parts of Israel near the Gaza border. That attack saw Hamas kill around 1,200 people and take 252 hostages, and commit atrocious acts of sexual violence. In retaliation, Israel’s Government launched an expansive attack on Gaza in a bid to rescue the hostages and remove Hamas, and it is that ongoing war that has divided the world.

Despite Hamas being the instigator of the war, there has been a backlash against Israel. Accusations that Israel is ‘committing genocide’ have been rife and global demonstrations have been putting pressure on Israel’s allies to force them into accepting a ceasefire. It should be noted that it is Hamas who has repeatedly refused a ceasefire as it continues to hold hostages from the October 7th attacks.

The issues run deeper than the simple outline above but the fact remains that Hamas started the war and Israel has the right to respond. Due to the ongoing war, which has seen casualties on both sides (although the only figures we have for Gaza are from Hamas), pro-Palestine supporters have called on the European Broadcasting Union (EBU) to exclude Israel from Eurovision.

Eden Golan
Credit: Alma Bengtsson / EBU

Should Israel be allowed to participate in Eurovision?

Yes, of course they should. Some people are drawing parallels between Russia and Israel but in reality the two situations couldn’t be more different. Russia were excluded in 2022 for their invasion of the Ukraine, and they decided to suspend their EBU membership, meaning they can no longer participate in Eurovision. Israel didn’t choose to invade Gaza – its Government has responded, as it has the right to, to an intentional and vicious attack from Hamas. It is Israel that was targeted by a terrorist organisation so to force the Country to withdraw from Eurovision, or to exclude them, would not have been the right thing to do.

Who is the Israeli Eurovision entry?

20-year-old Eden Golan has the unenviable task of representing Israel at this year’s event. Having competed to represent Russia in the Junior Eurovision Song Contest in 2015, Golan went on to compete on ‘The Voice Kids’ in 2018 where she was a finalist. She was chosen to represent Israel at this year’s Eurovision Song Contest after winning talent show ‘Rising Star’.

There was some controversy around her song ‘Hurricane’, which was initially titled ‘October Rain’. It had to be rewritten to meet Eurovision’s rules as political statements are forbidden. The powerful ballad showcases Golan’s powerhouse voice superbly, shifting from powerful belts to operatic riffs.

Will Eden Golan be participating in the Eurovision final?

Last night Golan competed in the second semi-final and she sailed through to the Eurovision final. The resilience she has shown so far in the competition is remarkable. There were reports that she was booed during the rehearsal for the semi-final on Wednesday and her performance last night received a fairly muted reaction (rumours suggest that booing was edited out of the broadcast performance). Protests outside of the venue, involving serial protestor Greta Thunberg, continued to campaign for Israel’s removal from the competition.

During the press conference following the second semi-final, Golan was asked by a journalist if she ‘have you ever thought that by being here you bring risk and danger for other participants and (the) public?’. The room fell into a stunned silence and Golan gave a classy answer that further showcases just what an incredible young woman she is. Her response received rapturous applause.

Since being in Malmö there have been reports that Golan and her team have been told not to leave their hotel room for anything other than rehearsals, for her own safety. She’s been shunned by other contestants, who have been wary of being seen with her in case they themselves get a backlash.

Eden Golan
Credit: Sarah Louise Bennett / EBU

Could Eden Golan go on to win Eurovision?

The chances of Golan winning the competition are slim but with Eurovision anything can happen. While the contest always claims to be ‘non-political’, politics inevitably come into play during the voting. It’s interesting to note that Israel is second favourite to win at the time of writing this article, behind Croatia.

‘Hurricane’ is a very strong song and there’s no doubt that Golan is the best vocalist in the competition. Perhaps a Top 10 placing is more realistic but even that would be a victory for Israel and Golan, given the level of backlash they’ve had for being in the competition. Either way, the bravery and resilience Golan has shown is inspiring. Few people would put themselves through what she’s unfairly had to go through, and even fewer would be capable of putting on the spectacular performance she delivered during the semi-final.

The Eurovision Song Contest final airs at 8pm Saturday 11th May 2024 on BBC One and BBC iPlayer.

Carly Pearce channels George & Tammy on biting new song ‘fault line’

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Today, GRAMMY, CMA, and ACM Award-winning singer-songwriter Carly Pearce shares a sneak peek of her highly anticipated fourth studio album, ‘hummingbird’ (Big Machine Records), set to be released on June 7. The latest offering from Pearce comes in the form of a new song titled ‘fault line,’ serving as a final preview ahead of the album’s arrival.

We interviewed Carly about new album ‘hummingbird’ recently. You can read all about it right here.

A self-proclaimed country music purist, Pearce showcases her musical sensibilities with ‘fault line,’ delivering a traditional country groove and clever lyrics penned alongside Nicolle Galyon, Shane McAnally, and Jordan Reynolds. Reflecting on the inspiration behind the song, Pearce shares, “Some of my favourite songs were in the era of Tammy Wynette and George Jones. ‘fault line’ is my take on writing one of those classic, ‘I’m gonna rip your head off’ country songs. The playful angst in this song makes it one of my favourite moments on the record.”

Accompanying the release of ‘fault line’ is its official music video, the latest instalment in Pearce’s “through the lens” series. Fans can listen to the song on streaming platforms and watch the captivating video on Pearce’s official channels.

Produced by Pearce, Shane McAnally, and Josh Osborne, ‘hummingbird’ marks a significant milestone for Pearce as she makes her debut as a co-producer. The album fully represents Pearce’s new musical chapter, characterised by forward motion and symbolised by the hummingbird, which embodies themes of growth, humility, understanding, playfulness, and optimism.

Featuring a total of 14 tracks, ‘hummingbird’ includes Pearce’s GRAMMY®-nominated, Top 10-bound, GOLD-certified single ‘we don’t fight anymore’ (featuring Chris Stapleton), as well as the recently released fan favourite ‘my place’ and the stirring title track ‘hummingbird.’

As fans eagerly await the album’s release, Pearce continues to solidify her place as one of country music’s brightest stars. Stay tuned for the arrival of ‘hummingbird’ on June 7, and immerse yourself in the captivating world of Carly Pearce’s music.

More guests announced for Shania Twain’s BST Hyde Park show

A slew of guests have been announced for Shania Twain’s upcoming American Express presents BST Hyde Park show on Sunday 7th July 2024.

As well as the previously announced The Corrs, Twain will be joined by Anne-Marie, Elle King and Natalie Imbruglia. More names will be added to the all-female bill in due course.

Tickets for this unforgettable show are now available at www.bst-hydepark.com and general admission tickets are running low.

The UK’s own Anne-Marie’s rise to stardom has been nothing short of meteoric. A former 3x world karate champion and West End child star turned multi-platinum-selling artist, Anne-Marie has gone on to become one of the world’s most-loved and successful pop stars of our time. She’s known for her chart-topping hits ‘Friends,’ ‘Alarm,’ ‘Ciao Adios’, and ‘2002,’ and has collaborated with everyone from Aitch to David Guetta. Last year, she stunned fans worldwide when she and Shania Twain released the pop banger of the summer ‘Unhealthy’, taken from her album of the same name, which shot into the UK charts at No.2.

Multi-Platinum artist Elle King first gained widespread recognition with her debut album Love Stuff, which featured the hit single ‘Ex’s & Oh’s.’ She released her critically-acclaimed second album ‘Shake The Spirit’ in 2018 featuring the lead single and King’s fourth radio No. 1 hit ‘Shame’. King’s incredibly powerful voice and signature style, with elements of rock, blues, country, and pop, means she’s impossible to miss and we are so excited to welcome her to BST Hyde Park.  

Another artist with pure star power joins this bill. Natalie Imbruglia, known for her smash hit ‘Torn’, first rose to fame in 1997 with her debut album ‘Left of the Middle’. She continued to find success with albums like ‘White Lilies Island’ and ‘Counting Down the Days’. Alongside her incredible music career, she ventured into acting and TV, including a stint as a judge on ‘The X Factor’. After a hiatus, she returned to music in 2015 with ‘Male’, a collection of covers, followed by her original album ‘Firebird’ in 2021.

Speaking of her Hyde Park show, Shania Twain says: “I’ve seen so many of my own musical heroes headlining at Hyde Park and have wonderful summer memories there. It is a real privilege to headline my own show this year. It’s going to be a s**t-kicking party!”

The lineup for American Express presents BST Hyde Park 2024 is set to be truly spectacular, with headliners SZA (29 June), Kings of Leon (30 June), Morgan Wallen (4 July), Andrea Bocelli (5 July), Robbie Williams (6 July), Shania Twain (7 July), Stevie Nicks (12 July), Kylie (13 July) and Stray Kids (14 July), with the full line up for each day to be announced, plus All Things Orchestral on 28 June.

Win ‘Once Upon a Time in the West’ on 4K Ultra HD + Blu-ray

Director Sergio Leone’s monumental Western classic ‘Once Upon a Time in the West’ celebrates its 55th anniversary this year and to mark the occasion Paramount Home Entertainment will release the fully restored film for the first time on 4K Ultra HD on 13th May 2024, as part of a 4K UHD & Blu-ray Collector’s Edition. 

One of the most iconic and influential movies ever made, ‘Once Upon a Time in the West’ has been restored from the original 35mm Techniscope camera negative by Paramount’s archive team, L’Immagine Ritrovata and The Film Foundation. This restoration honours the 2007 Film Foundation photochemical restoration overseen by legendary director Martin Scorsese by matching its build and colour palette.  The result is the definitive home release of the film, which features the 165-minute extended cut restored to its glory.  

A must-own for every cinephile’s collection, ‘Once Upon a Time in the West’ will be presented in a Limited-Edition 4K Ultra HD and Blu-ray set that includes both new and legacy bonus content. The Collector’s Edition is housed in a rigid slipcase and includes a theatrical poster, six art cards, a collectable MORTON train display sign, and a vintage fold out photographic print.

Bonus content presented on the Blu-ray Disc is detailed below:

  • Commentary by the Hosts of the Spaghetti Western Podcast –NEW!
  • A Look Back with Leonard Maltin—NEW!
  • Commentary with contributions from directors John Carpenter, John Milius & Alex Cox, film historians Sir Christopher Frayling & Dr. Sheldon Hall, and cast and crew  
  • An Opera of Violence                                           
  • The Wages of Sin        
  • Something To Do With Death
  • Railroad: Revolutionising the West
  • Locations Then & Now (Gallery)  
  • Production Gallery  
  • Theatrical Trailer    

Widely considered to be one of the greatest Westerns—and one of the greatest films—ever made, ‘Once Upon a Time in the West’ was selected for preservation by the Library of Congress in the U.S. National Film Registry in 2009.  The film stars Claudia Cardinale, Henry Fonda, Jason Robards, and Charles Bronson.

Synopsis
Set in the dying days of the Old West, a struggle to control water in a dusty desert town embroils three hard-bitten gunmen in an epic clash of greed, honour, and revenge.   

‘Once Upon a Time in the West’ is released on 4K Ultra HD + Blu-ray by Paramount Home Entertainment on 13th May 2024.

Please note this competition is only open to UK residents. The full terms and conditions are available at the bottom of the entry widget.

To celebrate the release we’ve got 1 copy of ‘Once Upon a Time in the West’ on 4K Ultra HD + Blu-ray to give away. Enter below for a chance to win…

‘Red, White & Royal Blue’ sequel confirmed by Prime Video

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In news that will come as no surprise, Prime Video hit ‘Red, White & Royal Blue‘ is getting a sequel.

The news has been announced ahead of Amazon’s inaugural upfront presentation on 14th May. The sequel will reunite Nicholas Galitzine and Taylor Zakhar Perez as they reprise their roles as Prince Henry and Alex Claremont-Diaz.

The film is in development at Amazon MGM Studios and plot details are being kept tightly under wraps. ‘Red, White & Royal Blue’ was based on the book by Casey McQuiston and it told the story of the son of the US President falling in love with an English Prince.

Alongside Galitzine and Zakhar Perez, the film starred Clifton Collins Jr., Sarah Schechter, Casey McQuiston, Sarah Shahi, Rachel Hilson, Uma Thurman and Matthew Lopez. No confirmation has been made yet about the cast for the sequel beyond the leads but it’s safe to assume we’ll see most of them back.

The sequel news comes with the release of a teaser poster, which you can see below:

Red, White & Royal Blue 2
Credit: Prime Video

Kelly Jones, Alexandra Palace, London, live review

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Kelly Jones, at the piano, performing in London’s largest independent music venue? Of course that’s a show I was buying a ticket for.

For the first thirty-five minutes Kelly played the full eight songs of ‘Inevitable Incredible’, the solo album he released independently – but not in place of Stereophonics, or Far From Saints – on 3rd May. Indeed, there’s enough room in venues across the lands for all of Jones’ creativity, however it wants to be presented.

Side note – since the release of the Stereophonics’ ‘Graffiti On A Train’ album in 2013, violins have made a welcome appearance to Kelly’s music; the cinematography they evoke isn’t lost on a lad who initially planned to be a film maker. ‘Violins and Tambourines’ could be a Bond theme it’s that hypnotic.

Fast forward a decade, to the north London stage and three violinists and a double bass surround Kelly (as does Rich) as well as some seriously multi-talented musicians playing a range of instruments, including a STEEL GUITAR for the first half of the show.  I was very tempted to stay for the second show. But it’d sold out. Plenty of good-natured ribbing from Kelly through the night between songs, about getting value for money from the musicians, and holding two events of an evening, which is how artists used to perform in the ‘70s.  I love this format, as it meant I didn’t have to be rushing for the last bus back to the hotel.    

Listening to the full eight songs of a project, starting with the album title ‘Inevitable Incredible’ was the switch-off the soul needed, not least because Kelly asked for phones to be forgotten about and sealed in a bag. The album’s songs are honest, at times sharing the despair Kelly felt – he underwent throat surgery just before lockdown, and has had to relearn to sing – and the need to listen to songs that call to be written, on an instrument Kelly jokes he didn’t want in the first place. The piano-based project was written in the evenings, between October – December 2022, and recorded in the studio of a remote Norwegian island in a week.

Once the eight songs had been played in full, their mood lightened with Kelly’s effortless banter, a quick change on a dark stage and suddenly the spotlight hits Kelly, sat on a chair, at the front of the stage, ankles crossed, accompanied by three musicians. Kelly’s harmonica skills are incredible and the seated audience was treated to a stunning rendition of ‘Restless Mind’ the first of six Sterephonics’ songs, continuing, strengthening and deepening the insights into life that ‘moves you and shifts and shoves at you’ (as Kelly explains in his article on latest solo project). Songs from the latter albums, particularly from ‘Don’t Let The Devil Take Another Day’ and ‘Kind’ had their moment in the spotlight. Rich had everyone clapping along during the final verse of ‘I Want To Make Friends With The Morning’ about a battle between head and heart. A rousing performance of a song written in 2002 that Kelly confessed he finally understood – the powerful Stereophonics setlist stalwart ‘Maybe Tomorrow’ was the encore.

And how did I feel about not capturing any of this on my phone? Absolutely energised; I talked with people around me (before the show started) and was completely absorbed watching the craft of music on the stage and not watching through the small screens in front of me.  

I turned up late to first appreciating the Stereophonics, in 2005 when I first heard ‘Dakota’; the great thing about a late discovery musically is that there’s a back catalogue to gorge on, and this band release albums every couple of years, then there’s the solo recordings. If anyone’s paid attention to my EF articles of ‘90s Country legends, you’ll know what songwriting genre had my heart in the mid-90s. I have since made up for the gap in my music education by making sure I catch a gig when they’re announced, including the Friday night of their legendary Cardiff 2022 stadium show.

My takeaway lyric for the night/life has to be, ‘the strength within us gives us resilience/the beast will be what the beast will be…just remember, always be tender to you’.

Set list: 1. Inevitable Incredible 2. Turn Bad To Good 3. Time’s Running Away 4. Echowrecked 5. Sometimes You Fly Like The Wind 6. Monsters In The House 7. May I Come Home From The War 8. The Beast Will Be What The Beast Will Be Stereophonics’ songs: 9. Restless Mind 10. Boy On A Bike 11. Fly Like An Eagle 12. This Life Ain’t Easy (But It’s The One That We All Got) 13. Make Friends With The Morning Encore: Maybe Tomorrow Venue: Alexandra Palace, London Performance Date: 9th May 2024; early show

Interview: Wade Bowen talks new album & being a Texan influence

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With over two decades and a staggering 4,000 shows under his belt, Wade Bowen has etched his name into the annals of country music history as a consummate artist, masterful songwriter, and captivating performer. This Texan powerhouse has released his new album ‘Flyin’ today, May 10th (you can find out what we think about it right here) and we were thrilled to catch up with him to talk all about it.

Thanks for taking our questions today Wade, it’s good to reconnect with you again. We last spoke in August ’22 around the release of ‘…..secret and the Truth’ Before we dig into ‘Flyin’ – we did get to speak to Randy Rogers about Hold My Beer Vol.3 last July so we wanted to get your thoughts on that collection. I really loved ‘Shooting Hand’ from that EP. What were your favourite songs on there and why do you think that you and Randy work so well together?

I really think ‘Dumb Kids’ was my favourite song on that project. And it’s sad it kinda got overlooked. I think that song really sums up a lot for us looking back on the memories of our childhood, and it was so different from anything we put out! I also love ‘I Moved Into A Bar’ just being the barn burner that it is! I think we work so well together because we are so different from each other but seem to embrace that as friends. What we do on stage and with these projects isn’t fake. It’s exactly who we are, and I think that’s why people latch on to it! They see the real friendship there!

There’s loads of Texan artist coming through right now, from Parker to Randall King to George Birge. I interviewed Tanner Usrey recently and you were the artist that inspired him to become a musician. Do you see yourself as a grandee of the Texan scene that inspires these younger musicians and does it frustrate you a little that this media and commercial attention didn’t happen twenty years ago?

I’m proud of what I’ve done for sure, and I’m so honoured when these younger artists say that I influenced them. I’ve put a ton of work into what I do and I’m glad to see they see that and hopefully use it to make themselves better! I think there’s a ton of young talent out there right now doing things the right way and being sponges, and I love to see that! And no, it doesn’t frustrate me to see it happening. Everything goes in cycles and, I’m glad to see them get what they deserve. That’s all that matters! Represent our state and our scene with pride and have fun – I believe they are doing that!

Loving the new album!!! There are some slightly different sounds and styles on this record. What was your mission statement when you were putting it together?

I just wanted the best songs as always. Albums for me don’t really show their face until we get in the studio, so I loved seeing where this one wanted to go. I love the energy we got out of these tracks, and I really think people are going to enjoy the diversity within this project. 

The title track sounds like classic Eagles to me, especially that a cappella opening. Were they an influence on your sound and style at all?

When I was first learning to play guitar, I’d sit around fumbling through Eagles songs to my mom. She has always loved the Eagles so I knew eventually they would come out more as an influence on my music than they have in the past. I’m glad it finally did!

‘Someone Else’s Now’ is my favourite song on there, although it does change from listen to listen. If Parker McCollum released that it would go to number one. Tell me about writing that one – is it the catchiest song you’ve ever written?

I’m so glad you like that one! I do feel it is probably the most  “commercial” of the tunes on the album. It has some pop appeal to it in a good way. This is one of the songs that came out of these writing retreats I take every now and then with my friends Heather Morgan and Eric Paslay. We head out to a ranch and just get away from everything for a bit, and I’ve found it to be so productive for all of us. Just simply getting away for a bit. We’ve written so many good ones doing this and have so much fun. This is one of the tunes that came from that experience.

Hillary Lindsey sounds great with you on ‘When I Wanna be Wanted’ – how did you go about securing her for that appearance. It’s like a cross between Bryan Adams’ ‘Run to You’ but done by George and Tammy!

I was just lucky enough that my manager happens to be friends with her. It was my first time working with her, and I can’t say enough great things. She is a brilliant, genius human and you can feel the energy she has even over the phone. I hope this is the first of many opportunities to work with her. What a talent and what a voice! She completely changed the scope of this album in my opinion with her appearance on this track! I’m forever grateful.

‘Love Does What it Wants To’ is another stand out track. Darker! Dramatic! Such a clever melody and structure. How do you challenge and motivate yourself to keep writing unique and original songs?

I don’t know how. I just always look for what hasn’t been said or another way to say things. I mean we can all tell stories, but the unique side of us as humans will show itself in one way or another. I really do believe I look at things a little different than most and that is maybe what helps. Having people like Lori McKenna know you wanna go there helps and having someone like her running with you is special. Nothing is ever off the table with Lori as a co-writer, and I love that she will go to those places with me when a lot of others aren’t quite sure they want to. 

Of course, there are still lots of Texan influences on there. ‘The Request’ I could see on a George Strait album. If you had to build your Mount Rushmore of your four favourite Texan artists who would you choose and why?

Oh my gosh, that’s pretty impossible if ya ask me to only choose four. Our state has so much pride in music, and I’m so proud of where I come from for that – being able to draw from all of those influences has been huge. I’d say George Strait, Willie Nelson, Jerry Jeff Walker, and Miranda Lambert as our female representative! (laughing) Guy Clark should be on there also though so like I said, there’s too many to choose to only have 4!

‘Friday Night’ feels like a big, commercial radio single from the 80s. How important is radio & things like CMT to you? Does it drive any of your creativity and commercial strategies or do you just let the art dictate how it emerges and not worry about what each song might or might not achieve?

I really don’t worry much about commercial stuff or radio. I think I’m blessed that some of it just happens naturally with some songs and the direction fits radio. It’s definitely not something I strive for in an album anymore. We just don’t get enough airplay to warrant that nowadays, but I do love that the songs we put out are radio friendly and if given the chance can be successful on the radio. They just need a chance!

What’s the plan in terms of getting these great songs out to people over the coming year? Tours, tours, tours?

As always yes, tour, tour, and tour! I’m playing a great show right now with my band and these songs are only making the shows better. I love what they are bringing to the table for options for us! And I’m excited to see how people react to this project. I haven’t been this excited in a long time.

Is there a chance we might see you over in Europe in this next ‘Flyin’ cycle do you think?

It’s on my list! I absolutely love touring over there and cannot wait to get back!!!!!!!!!!

Check out Wade Bowen’s excellent album ‘Flyin’ – out today (May 10th) right here.