HomeEF CountrySam Williams - 'Glasshouse Children' album review

Sam Williams – ‘Glasshouse Children’ album review

Sam Williams started to garner international attention when he released a cover of ā€˜Weathermanā€™, a song originally recorded by his father Hank Williams Jr. In 2019 he toured the UK supporting Cam and word quickly started to spread about just how talented a musician he is. The grandson of Hank Williams, Sam has tried to resist his musical calling and he told us recently of the pressures that exist for children in famous musical dynasties. Thankfully, Williams decided to embrace his destiny and ā€˜Glasshouse Childrenā€™, released today, is his debut album.

One of the hardest things for any artist to do is establish their own sound, and thatā€™s even more difficult when youā€™re from a famous musical family. While ā€˜Glasshouse Childrenā€™ has been labelled ā€˜a Country recordā€™, the 10-song set actually draws from a wider range of genres than just Country. In his journey to finding his own voice and sound, Williams has followed his instincts and the end result is an album thatā€™s easily a contender for album of the year. Iā€™d struggle to recall another album released this year, that has the musical variety and depth that ā€˜Glasshouse Childrenā€™ has.

Opening with the title track, Williams draws you in with beautiful orchestration and his unmistakeable voice. Immediately captivating, Williamsā€™ voice is one that has known pain and that resonates in every word he sings. How someone still in his 20s can sing so deeply from the soul is astonishing and the way his voice moves you is something that so few artists are able to do. ā€˜Glasshouse Childrenā€™ is a moody opener that perfectly sets the tone for the record, showcasing Williams an artist happy to take risks and venture into territory that few others would dare.

ā€˜Happy All The Timeā€™, a collaboration with Dolly Parton, hits you from all angles. The youth and pain of Williams contrasts beautifully with the experience and wisdom of Parton as they sing about how money canā€™t buy you happiness. Their voices are so different but they complement each other fantastically. The song is a reminder that material things arenā€™t whatā€™s important in life, a message that hits even harder as we start to come out of the pandemic. On ā€˜Canā€™t Fool Your Own Bloodā€™, co-written with Mary Gauthier, Williams veers into Americana and delivers one of his best vocals on the record. Lyrically the song explores the idea that you canā€™t hide the truth from members of your family, or yourself, no matter how hard you try.

Elsewhere on the album ā€˜Bulleit Bluesā€™ is a 92 second acoustic track that strips everything down allowing you to hear Williams unfiltered, which contrasts with the poppier ā€™10-4ā€™, a tale of budding romance and the rush that comes with it. Keith Urban features on ā€˜Kidsā€™, a song that channels 80s sounds while Williams sings of the challenges of growing up and leaving your adolescence behind. It features the albumā€™s catchiest chorus and could be a big radio hit for Williams in the months to come.

The albumā€™s highlight for me is ā€˜Hopeless Romanticismā€™, a song that steps into alt-pop territory and deals with Williamsā€™ belief that he falls for people too quickly. The sparse instrumentation on the verses pushes Williamsā€™ voice into the spotlight before giving way to an atmospheric chorus that quickly turns into a total earworm. Itā€™s unlike anything else on the album and its addictive rhythm ensures you wonā€™t forget it easily.

The album closer ā€˜The World: Aloneā€™ turns out to be the recordā€™s most hard-hitting moment. It was released in 2020 following the death of Williamā€™s sister Katie, and while it wasnā€™t written about her, the sentiment hits hard in the wake of that tragic event. Williams sings about having to go through life, and travel the world, without someone by his side. Itā€™s heart-breaking, itā€™s musically bold and itā€™s impossible to listen to without tearing up.

ā€˜Glasshouse Childrenā€™ is the kind of debut album that will be talked about for a long time to come. No one is making music like Williams is right now, and no one is packing in the raw emotion and lyrical complexity that he is either. From start to finish, ā€˜Glasshouse Childrenā€™ is nothing short of a masterpiece and if this is his starting point, it would seem the sky is the limit for what may come next. With the release of this album, we could very well be witnessing the birth of an artist that could go on to define a generation.

Sam Williams - Glasshouse Children
Credit: Mercury Nashville

Track listing: 1. Glasshouse Children 2. Happy All The Time (feat. Dolly Parton) 3. Canā€™t Fool Your Own Blood 4. Bulleit Blues 5. 10-4 6. Wild Girl 7. Kids (feat. Keith Urban) 8. Shuteye 9. Hopeless Romanticism 10. The World: Alone Record label: Snakefarm Records Release date: 20th August 2021 Buy ā€˜Glasshouse Childrenā€™ now

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Pip Ellwood-Hughes
Pip Ellwood-Hughes
Pip is the owner and Editor of Entertainment Focus, and the Managing Director of PiƱata Media. With over 19 years of journalism experience, Pip has interviewed some of the biggest stars in the entertainment world. He is also a qualified digital marketing expert with over 20 years of experience.

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