Thomas Kavanagh’s new EP ‘Crossland' is more than just a collection of songs—it’s a musical diary documenting his shift from the world of rock and metal into country rock. This five-track release serves as a bold and personal leap for Kavanagh, who openly admits that making this transition was a daunting process, but one that ultimately allowed him to find his true artistic voice. The result? A mix of genres and emotions that reflects a musician at a crossroads, grappling with both uncertainty and self-discovery.
A Journey of Sound and Vulnerability
One of the strengths of ‘Crossland' is its ability to blend sonic elements from different genres, particularly 80s pop/rock, 90s American college rock, and modern country influences. The EP kicks off with ‘My Kind of Girl,' a catchy track driven by pop/rock sensibilities, offering a sound reminiscent of 80s icons like Richard Marx. The song’s infectious chorus and upbeat feel may appeal to fans of both AOR (Album-Oriented Rock) and MOR (Middle of the Road) music, even if the lyrical content leans on familiar tropes of romantic obsession.
‘We Are History' continues with an 80s pop/rock vibe but takes a more expansive approach, building to a chorus that feels like a fusion of Rascal Flatts and One Direction. Though the song’s message—saying goodbye to a past relationship—isn't particularly original, its sense of joy and freedom adds a buoyant energy, making it an enjoyable, if not groundbreaking, listen.
Standout Tracks: ‘Better Life' and ‘Another Cowboy'
‘Better Life' stands out as the emotional core of the EP. Kavanagh delves into personal territory, reflecting on the pain of his father leaving when he was six, and the strength he gained from that experience. The atmospheric opening, propelled by a driving drum beat, handclaps, and banjo, creates a moody and evocative soundscape. This track blends modern pop country with a 90s college rock feel, showcasing the EP’s ability to bridge multiple styles. It’s in moments like these that Kavanagh’s vulnerability shines through, offering a glimpse into his deeper emotional range.
‘Another Cowboy' is another highlight, with pop-leaning verses giving way to anthemic choruses. While the lyrical theme of unreciprocated love—Kavanagh sings, “You see me as a stepping stone when I see you as home”—is relatable, it doesn't break new ground. However, its 90s college rock influences, reminiscent of bands like Lifehouse and Goo Goo Dolls, make it an earworm that fans of those genres will appreciate.
A Familiar but Enjoyable Sound
‘This Town' rounds out the EP with softer guitars and a driving beat, building to yet another explosive chorus, echoing the style of artists like Nate Smith. While more rock than country, it adds to the EP's overall vibe of blending past and present musical influences. The song, like others on the EP, showcases Kavanagh's penchant for radio-friendly, emotionally driven rock with an Americana twist.
Final Thoughts
While ‘Crossland' features a familiar sound that pulls from well-worn lyrical themes, it also marks a significant personal and musical evolution for Thomas Kavanagh. The EP’s 90s college rock feel, particularly reminiscent of Goo Goo Dolls, dominates the sonic landscape, and while the lyrics can sometimes feel predictable, there’s enough heart here to keep listeners engaged. ‘Crossland' may not reinvent the wheel, but it’s a promising step forward for an artist who’s found the courage to embrace change. With more personal introspection and vulnerability in future projects, like there is here on ‘Better Life,' Kavanagh could very well carve out a unique space for himself in the modern country rock scene.
If you’re a fan of crossover sounds between 90s rock and contemporary country, Crossland is an EP worth adding to your playlist. Click here to listen to the EP right now.
