Aspiring producer Seth (Coley Bryant) and true crime writer Holly (Casey Dillard) convince their friend Mark (Glenn Payne) to help them write a movie about a local serial killer whose killing spree is still on-going. As they trade ideas and start to shape their screenplay, the group is unaware that one of them is the killer that they are basing their movie on. Will they find out the truth before itās too late?
āKiller Conceptā is the new film from director Glenn Payne and writer Casey Dillard, following their 2019 festival smash āDrivenā, which I had the pleasure of reviewing for Arrow Video FrightFest. The dynamic duo team up once again to bring something very different from āDrivenā to the big screen with their very clever new film āKiller Conceptā. Dillard once again stars and this time Payne steps in front of the camera in a leading role (he only played a small role in āDrivenā) alongside Coley Bryant (who was also in āDrivenā). Made for a budget of $900 and with a crew of only 5 people, āKiller Conceptā is a shining example of independent film-making done right.
Like āDrivenā before it, āKiller Conceptā is endlessly inventive, often breaking free from budgetary restraints, and delivering a film that is a clever exploration of the horror genre. The film opens with Holly, Seth and Mark throwing about ideas for their film as the viewer sees a young blonde woman being stalked in her home as sheās about to de-robe and get in the shower. The creation of that potential scene creates friction between the three film-makers as Holly questions the gratuitous exploitation of women in horror while Seth wants the film to be full of nudity, blood and violence.
All the while Mark remains mostly silent and itās revealed in the first 10 minutes (small spoiler alert), that Mark is indeed the local killer the trio is basing its film on, even though Holly and Seth have no idea. Part of the fun of āKiller Conceptā is watching Mark trying to contribute his ideas, only to have them shot down by Seth and Holly who believe they know better. For the viewer this is fun as Mark is sharing actual details of the murders that are then dismissed for one reason or another.
As Holly and Seth focus on making the film, and constantly have to navigate butting heads, Mark spends his time trying to find a new victim to murder. The two plot strands work together incredibly well, with plenty of humour peppered in both to keep the audience laughing even when things turn darker. While much of the dialogue was improvised, itās entertaining watching the three actors ā who are clearly movie buffs ā trading banter, exchanging ideas and deconstructing the motivations behind murder. Their chemistry is one of the strongest aspects of the film and when the three actors are on-screen together, they are pure magic to watch.
Performance-wise thereās nothing to fault here. Payne is suitably intense as Mark (and a million miles away from what heās like in real life) while Bryant enjoys himself as the overly confident and pushy Seth. Dillard brings more warmth to the screen, believable as a writer who is hoping this project will be the one that takes her to the big time. Sheās very good as bringing out the humour in the dialogue too.
The other thing thatās impressive is just how well-made āKiller Conceptā is. If you didnāt know its budget, you would think they had a lot more money than they did. Payneās direction is tight and the use of locations is spot on. Thereās a real dynamic flair to the way the film was shot too, with the creepier scenes paying loving homage to the horror genre. You can feel the love for the genre in every shot.
āKiller Conceptā is a worthy successor to āDrivenā. Itās smart, funny, creepy and incredibly inventive. If āDrivenā made me a fan of Payne and Dillard, āKiller Conceptā makes me want to join their fan club. They are clearly a creative match made in heaven and I canāt wait to see what they come up with next. Similarly, Iāll be keeping an eye on Bryant and I hope he continues to work with these fantastic film-makers. āKiller Conceptā is a fantastic film and a very clever piece of genre cinema.
Cast: Glenn Payne, Coley Bryant, Casey Dillard Director: Glenn Payne Writer: Casey Dillard Certificate: 18 Duration: 80 mins Released by: Dead Leaf Productions
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