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Review: ‘The High Road’ is Kane Brown’s most country sounding album yet

Kane Brown is a multi-platinum country music artist known for blending traditional country with pop and R&B influences, creating a genre-defying sound that resonates with fans worldwide. Born in 1993, in Chattanooga, Tennessee, Brown gained attention through social media by posting covers before releasing his debut EP ‘Closer' in 2015. His self-titled debut album followed in 2016, featuring hits like ‘What Ifs' and ‘Heaven,' solidifying his place as a country music star. Known for his smooth vocals and relatable lyrics, Brown has continued to dominate the charts with albums like ‘Experiment' and ‘Different Man' but it is on new album ‘The High Road' where he has really come of age as a Country music superstar.

One listen to ‘The High Road' will leave you in no doubt that this album stands as Brown's most personal, cohesive, and mature project to date. Departing from his signature genre-blurring tendencies, Brown leans into the rich tradition of classic country music, while still incorporating moments of modern flair. Throughout the record, the themes of family, love, self-reflection, and resilience are explored with emotional depth, tied together by a smaller, more consistent team of writers, centred around Gabe Foust and Jaxson Free, which gives the album a unified narrative thread.

One of the album’s standout tracks is opener ‘I Am,' a raw and vulnerable dive into Brown’s inner thoughts and anxieties. Its intense rock energy contrasts with the lyrical introspection, as he admits fears of failure and the unknown. The hypnotic, anthemic chorus builds to a searing crescendo, making it one of the album’s most powerful songs and a future live-show favourite. Another highlight is ‘Backseat Driver,' a sweet ode to fatherhood. With its lilting melody and heartfelt lyrics, this track captures the curiosity and innocence of childhood, adding emotional weight to the album’s overarching narrative.

Brown’s nods to traditional country shine brightly across tracks like ‘Fiddle in the Band' and ‘Says I Can.' The former, a joyful 90s-style fiddle-driven anthem, celebrates the chaotic energy of a wild night out and live music, while the latter adopts a lilting, Gaelic-inspired rhythm as Brown details his journey of heartbreak and healing through smoking, drinking and vinyl records! These songs highlight Brown’s commitment to honouring country’s past while making it accessible to a modern audience.

While Brown embraces tradition, ‘The High Road' still includes moments of innovation. Collaborations like ‘Miles on It' with Marshmello and ‘Rescue' featuring Khalid reflect his ability to blend country structures with pop and R&B sensibilities, though the country elements certainly dominate more on this project than on previous albums. Both tracks feel restrained compared to Brown’s previous genre-blending efforts, emphasising his focus on maintaining the album’s thematic consistency. The Khalid duet, in particular, addresses mental health in a heartfelt way, connecting deeply with listeners.

The album’s emotional core is further amplified in deeply personal songs like ‘3' and ‘Haunted.' In ‘3' Brown reflects on the importance of the number throughout his life, tying it to family and his journey. His birth year of 1993, his sports shirt number and the kids in his family are amongst the numerous references in the song, which, similar to a track like ‘Backseat Driver,' is a sweet, simple sounding modern country song dripping in heartfelt messages and plaintive instrumentation. ‘Haunted,' meanwhile, a potential award-winning collaboration with Jelly Roll, delves into darker themes of anxiety and mental health again. Their combined voices deliver a powerful message of vulnerability and resilience, adding depth to the album’s exploration of the human experience. ‘I’m haunted by the voice in my head,’ they sing, flirting with suicidal thoughts and advocating mental health awareness and the importance of faith, friends and family.

The album even has a sexy middle section trilogy which feels like it has been sequenced deliberately. ‘Start a Fire,' ‘Body Talk' and ‘Gorgeous' are all thematically joined at the hip by lust, passion and love. The latter is a sweet, simple song based upon an acoustic melody not dissimilar to Extreme’s iconic hit from the 80s, ‘More Than Words’. In it Brown pays tribute to his wife, Katelyn, in a powerful yet tender way. Katelyn herself duets on two songs on the album, the aforementioned ‘Body Talk' and ‘Do Us Apart.' The former finds us leaving the cowboy-themed passion of ‘Start a Fire' behind for something altogether more sensual, sexy and Latino influenced. Think Maluma duetting with Shakira for a touchstone as these two lovers sing about ‘letting their bodies talk it through.' It's a hot, sensual song that lands perfectly. ‘Do Us Apart,' meanwhile, finds both Brown's in a more playful, retro mood – think 70s Dolly Parton and Kenny Rogers for a reference here. Smooth Countrypolitan sounds and lovely, lilting harmonies makes this love song one of the strongest on the album and a must-release radio single.

Throw in a playful duet (written by Brad Paisley, HARDY and Morgan Wallen) with Brad Paisley on ‘Things We Quit,' a funky, finger-snap driven ‘Besides Me' which has all the charm of a classic Thomas Rhett Texan-themed dance song and ‘I Can Feel It,' a re-working of Phil Collins' iconic 80s hit ‘In the Air' in which Collins gets a songwriting credit for the judicious use of that song's infamous drum roll and you've got a wonderful mix of classic 90s Country vibes, personal and impactful odes and tributes and tongue-in-cheek Country fun all over this tightly themed and expertly delivered album.

Special mention must be given to closing track ‘When You Forget.' This poignant song about dementia and Alzheimer’s is a testament to Brown’s growth as a storyteller. Tender instrumentation and heartfelt lyrics pay tribute to the strength and legacy of those facing these challenges, resonating deeply with listeners. It encapsulates the album’s ethos: honouring life’s complexities while embracing the authenticity of country music.

In ‘The High Road' Kane Brown achieves a remarkable balance between personal introspection and classic country storytelling. By narrowing his focus and leaning into traditional sounds, Brown delivers his most cohesive and impactful album yet—a collection that not only resonates with fans but also solidifies his place as a leading voice in contemporary country music.

Kane Brown
Credit: Sony Music Nashville

Tracklist: 1. I Am 2. Fiddle in the Band 3. Backseat Driver 4. Miles on It 5. Says I Can 6. 3 7. Rescue 8. Haunted 9. Start a Fire 10. Body Talk 11. Gorgeous 12. Beside Me 13. I Can Feel It 14. Things We Quit 15. Do Us Apart 16. Back Around 17. Stay 18. When You Forget Release Date: 24th January Record Label: Sony Music Nashville Buy ‘The High Road ‘ here.


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Kane Brown is a multi-platinum country music artist known for blending traditional country with pop and R&B influences, creating a genre-defying sound that resonates with fans worldwide. Born in 1993, in Chattanooga, Tennessee, Brown gained attention through social media by posting covers before releasing...Review: 'The High Road' is Kane Brown's most country sounding album yet