Ashley Monroe released her debut album āSatisfiedā in 2009 and since then sheās been carving her own path outside the mainstream Nashville crowd. Her 2015 album āThe Bladeā earned her a Grammy nomination for āBest Country Albumā and she picked up her second nomination for the Pistol Annies (her group with Miranda Lambert and Angaleena Presley) record āInterstate Gospelā in 2020. Three years on from her excellent album āSparrowā, Monroe is back with new solo album āRosegoldā and itās a bit of a departure.
If youāve heard āDriveā, āāTil It Breaksā or āGrooveā then youāll have a fair idea of what to expect from āRosegoldā. The 10-song collection is easily Monroeās most experimental and itās like a hazy dream from start to finish, in the best possible way. Opening track āSirenā features plenty of vocal layering and is a little reminiscent to Alanis Morissette around the āSupposed Former Infatuation Junkieā era. The song is the boldest one on āRosegoldā and it does a great job of catching you off-guard but drawing you in anyway.
With the tone set, Monroe really digs into her experimental side across the next nine tracks. The gorgeous, almost choral at times āSilkā mixes acoustic guitar riffs with vocals that sound as if they feel straight down from Heaven. Itās a song you want to put the headphones on for, turn it up real loud and just lose yourself in. āGoldā introduces shimmering beats and finger snaps as pretty much the only backing to Monroeās hushed vocal. The chorus opens up with vocal layering and itās pure ear candy.
On āSeeā Monroe plays with vocal effects as a steady beat and electric guitar riffs drive the melody, and the mid-section grabs you as Monroeās ethereal voice steps into the spotlight. Thatās followed by lead single āDriveā, one of the strongest tracks here, a 70s influenced throwback that invokes summer days with more than hint of sexual longing. Changing the tempo a bit is the piano ballad āFlyingā where Monroe explores her upper range, scaling to impressive heights a she sings about how love makes her feel like sheās flying.
During the final stretch of the record the aptly named āGrooveā makes a low-key funky groove utilising Monroeās voice to create a gorgeous melody. I detect a hint of the hip-hop influences she spoke to me about in my recent interview on the track too, in subtle but effective way. āTil It Breaksā is probably the closest song to anything Monroe has done before and itās an anchor point on the album, that really showcases her songwriting.
The final two songs ā āI Mean Itā and āThe New Meā ā bring the record to a fitting close. The electro-lite āI Mean Itā is a gorgeous swirling of rhythms and sounds while āThe New Meā keeps things simple for an understated final song. Itās testament to Monroeās voice that even without much going on production wise, youāre still drawn into her world and immersed in her vision.
āRosegoldā is without a doubt Monroeās boldest body of work to date. Fans wonāt mind that itās a large sonic change but those who loved Monroeās Country work, may find themselves a little lost. For me though, this album is a gorgeous creation that demands you spend time with it, turn it up loud and just float away with the melodies. Monroe told me she wrote this album from a place of joy and joy is all I felt while listening to it from start to finish.
Track list: 1. Siren 2. Silk 3. Gold 4. See 5. Drive 6. Flying 7. Groove 8. āTil It Breaks 9. I Mean It 10. The New Me Record label: Mountainrose Sparrow/Thirty Tigers Release date: 30th April 2021 Buy āRosegoldā now
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