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Where does one even begin to try and review Multiple Maniacs \u2013 John Waters\u2019 second feature length film? A film that exists so far outside the realm of conventional cinema it defies all criticism. A film made by outsiders, for outsiders. On first release it played on the underground cinema scene, to audiences of hippies, bikers, and speed freaks. Watching this now, on a pristine Criterion Collection blu-ray somehow seems wrong.<\/p>\n
Taking inspiration from the Tate murders, and the Manson family in general, Multiple Maniacs sees Waters\u2019 regular muse Divine (performer and drag queen Harris Glenn Milstead) as the leader of a travelling freakshow: Lady Divine\u2019s Cavalcade of Perversions. The show – featuring puke eaters, armpit lickers, live sex, and a convulsing smack head trying to go cold turkey \u2013 is just a ruse however. The show\u2019s MC, Mr. David (David Lochary) lures in the squares, straights, and rich pigs, so that Divine and her merry band of murdering, thieving freaks can rob them. And kill them if necessary.<\/p>\n
There\u2019s no technique evident anywhere in this film. From the hilariously shonky opening credits onwards, there is no real skill on display. Everything looks and sounds amateur. The camera work is terrible, constantly going out of focus. Then you\u2019ve got the actors fluffing their lines, repeating themselves, and improvising all over the place. It is, as the tagline suggests, a celluloid atrocity.<\/p>\n
But this is all utterly beside the point. John Waters is a cinematic provocateur, not a serious filmmaker. Certainly not when he made Multiple Maniacs anyway. Even as he matured and moved into making more commercial films in the 80s and 90s, such as Cry Baby, Hairspray, and Serial Mom, he didn\u2019t suddenly become Fellini. But then Fellini never filmed a sex scene in a church between a lesbian and a 300lb drag queen having rosary beads stuffed up her arse.<\/p>\n
This film might be trash, but that was entirely Waters\u2019 intention. The end of the 60s was a different world. This was the time of Warhol, Vietnam, Manson, and experimentation. The peace and love era was fading into something nastier and more paranoid. Waters wasn\u2019t trying to create a work of art, he wanted to make something that would shock, and appall, and alienate those daring enough to sit through it. And if you do sit through it, you are treated to a final ten minutes that is so unexpected, and so original, it makes the entire sleazy enterprise worthwhile. I won\u2019t spoil the ending here, but if you don\u2019t know what happens, please don\u2019t look it up. It ain\u2019t divine, but it sure is special.<\/p>\n
The disc comes with a newly restored 4K image, adding a ridiculous sheen to the grotesquerie. Waters himself supervised the restoration, and commented that it now looks like a bad Cassavetes film! Waters provides a commentary, recorded exclusively for this release in 2016. There are new interviews with the cast and crew, as well as the original trailer. Also on the disc is a video essay created by film scholar Gary Needham, plus an essay by critic Linda Yablonksy.<\/p>\n
Cast:<\/strong> Divine, David Lochary, Mary Vivian Pearce, Mink Stole, Cookie Mueller Director:<\/strong> John Waters Writer:<\/strong>\u00a0John Waters Released By:<\/strong> Sony Pictures Home Entertainment Certificate:<\/strong>\u00a018 Duration:<\/strong>\u00a096 mins\u00a0Release Date:<\/strong> 20th<\/sup> March 2017<\/p>\n","protected":false},"excerpt":{"rendered":" John Waters\u2019 provocative shock-fest aims to offend. And succeeds.<\/p>\n","protected":false},"author":25,"featured_media":1074208,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[3],"tags":[25180,25179,25178],"yoast_head":"\n